马家窑文化人物形象分区分期及同时期区域对比研究

马家窑文化包含丰富的不同工艺、纹饰人物形象,本研究在人物形象分类的基础上,首先对马家窑文化人物形象进行了考古学分期、以及人物形象区域分布研究,其后选取东部、中亚地区同时期的人物形象作了对比研究。研究发现:马家窑文化人物形象可分为两期,一期以动物拟人纹与人物形体纹为主,其中,鲵人纹与舞蹈纹是此期特色,器口人面塑中出现了哭泣、惊讶的面部表情。二期出现蛙人纹,大量其他彩绘人物形体消失,继承一期以器口作人面的技法,对面部的五官塑造更加细致,表情更加多样,出现了精致又寓意非凡的裸体人像彩陶壶。马家窑文化人物形象可分为三区,从东往西传播与发展;与东部、中亚同时期人物形象对比,马家窑文化人形象种类和技法更具本地源流,且与其他地区异中有同。本研究为研究马家窑文化的来龙去脉、以及不同文化间相互交流提供参考和依据,对后续分析文化人物形象内涵等均有重要意义。     

古铜矿遗址围岩表层有害生物的防治

铜绿山古铜矿遗址地处长江中游地区、空气湿度大、围岩表层有害生物成片生长蔓延,对遗址的长期保护造成极大威胁。对此采取了改变遗址的环境条件、喷涂消杀药品的方法,消除了围岩表层有害生物的危害。经过一年半的观察表明该方法是可行的。     

近70年来中国历史城市地理研究进展

历史城市地理是历史地理学的重要分支之一。近70年来,中国历史城市地理研究经历了奠基与探索、缓滞、复苏与拓展、深化与融合等发展阶段,在研究内容拓展、理论与方法总结、新技术探索等方面取得了长足进步和丰硕成果,促进了中国历史地理学的整体发展。基于近70年来历史城市地理领域的代表性研究论著,总结了中国历史城市地理研究的阶段性特征,论述了九大专题领域的研究进展,并对历史城市地理研究相关问题进行了辨析,对今后的研究趋向加以展望。     

Chemical and Microscopic Study of Masonry Mortar in Ancient Pagodas in East China

Ancient mortars played a crucial role in the construction of historical architectures due to their physical and chemical compatibility with traditional building materials such as stones and bricks. Therefore, the analysis and optimization of the ancient mortar formula are significant in the restoration and preservation of historical sites. In this work, 20 mortar samples selected from five ancient stone pagodas in Zhejiang Province, China, were analyzed. The results showed that mud, lime-soil mortar, lime-sand mortar, and lime-gypsum mortar were used as binders in these pagodas. The Ca(OH)₂/aggregate ratio ranging from 0.3 to 2.7 was usually used to prepare lime mortar. Protein and polysaccharide were also found in some samples.     

Potential Use of Foamed Mortar (FM) for Thermal Upgrading of Chinese Traditional Hui-Style Residences

The Hui-style residence is an important architectural heritage of China. The hollow wall structures are widely used to build its exterior wall system. However, the thermal performance of the hollow wall is no longer able to meet the new energy-saving and environmental requirement. This article describes a laboratory study of the development of foamed mortar (FM), with the potential for use in thermal upgrading of the Hui-style hollow wall system without dramatically changing its traditional structure. The key early age, physical, mechanical and thermal properties were systematically measured. Two extended models were respectively developed to calculate compressive strength and thermal conductivity, as a function of porosity. Environment chamber test was also employed to investigate the effectiveness of this novel thermal upgrading approach and the results show that filling the voids with FM can effectively improve the overall thermal resistance of the hollow wall system by 44%, which is almost equal to the overall thermal resistance when using the more expensive commercial inorganic stucco system. In addition, the combination of these two methods yielded an overall thermal resistance of 0.701 m²·K/W, which is even higher than 0.67 m²·K/W for the code required in the hot summer/cold winter climate zone.     

THE CULTURAL LANDSCAPE OF THE CHINESE BRONZE AGE

The Chinese Bronze Age culture from the 19^th to the 1^st century BC can be divided into four zones: the Central Plain in the middle and the lower Yellow River region; the Northern zone along the Great Wall; the Southern zone, south to the middle and the lower Yangzi River; the Southwestern zone covering the upper Yangzi River. In each zone, bronzes are not only different in types and styles but also function differently responding to the processes of the early state formation and social development. More precisely, in the first zone, there are mainly ritual bronzes, serving as symbols of the social and political hierarchy. In the second zone, there are mainly utilitarian items such as weapons, tools, bronzes of everyday use, ornaments, as well as horse‐chariot fittings. Bronze musical instruments characterise the third zone. And bronzes of the fourth zone are realistic or symbolic in style, depicting scenes of social life. Though having different cultural origins and characteristics, the four zones communicate with and influence each other continuously, creating a dynamic cultural landscape of the Chinese Bronze Age.     

清代帝陵的哑巴院和月牙城

本文论述清代帝陵中的哑巴院和月牙城的建置与功用,进而探讨其规制的起源问题。指出关外的福陵与昭陵系参照北京明代后期的帝陵及清孝陵兴建,而南京明孝陵的规制已见哑巴院的雏形,其发展演变脉络清晰,故而哑巴院和月牙城并非明清两代帝陵规制最显著的差别。     

刘魁立先生访谈录

施爱东:做民间文化研究,许多人都把自己弄得很"田野",但我注意到您却非常注重仪表和礼节。只要是开会或上课,您总是西装革履地出现在公共场合,这样严谨地生活累不累?您参加我的博士后出站报告会的那一天,因为来不及回家换衣服,居然临时跑到商店买了一件正式的衣服换上了,那件事给我的印象非常深刻。     

也论二里头类型二期遗存的变化——兼与王克林先生商榷

二里头文化二里头类型第一期和第二期是同一种文化连续发展的不同发展阶段。二里头类型主要来源于豫西南地区的河南龙山文化晚期。后羿属于东夷,而非西夷。     

上博简《容成氏》字词考释二则

本文讨论了上海博物馆藏战国楚竹书《容成氏》里的“酋清”的“酋”和“夹州”的“夹”两个字,认为它们古音分别和“淑”和“冀”字相近,“酋清”应当读为“淑清”,“夹州”就是文献中的“冀州”。