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Koichi Iwabuchi 《International Journal of Cultural Policy》2015,21(4):419-432
This paper critically examines the development of what is known as ‘pop-culture diplomacy’ in Japan. In the postwar era, the country’s cultural diplomacy was propelled by the necessity to soften anti-Japan perceptions, notably in Southeast Asia. In the late 1980s, the popularity of Japanese media culture in Asia began to attract the attention of policy makers, while subsequent globalized practices of soft power and nation branding gave greater emphasis to the use of media culture to internationally enhance the image of the nation, which has meant the promotion of ‘pop-culture diplomacy’ and, more broadly, ‘Cool Japan’. It is argued that pop-culture diplomacy goes no further than a one-way projection and does not seriously engage with cross-border dialogue. The Japanese case also shows that pop-culture diplomacy hinders meaningful engagement with internal cultural diversity and suggests the necessity of taking domestic implications of cultural diplomacy seriously. 相似文献
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Anwu Xu Changsui Wang Jinqi Chi Mingchuan Li Maosen Zhang L. Holmes G. Harbottle S. Koshimizu K. Manabu K. Koichi 《Archaeometry》2001,43(1):35-47
Instrumental neutron activation analysis (INAA) was applied to sherds from the important site of Huating and, for comparison, several Neolithic sites in the valley of the Yellow River. We hoped to compare the compositions of two stylistically different ceramics found at Huating, and to evaluate the degree of compositional clustering and inter‐site resolution that could be expected in an area that is noted for its extensive, and possibly very homogeneous, loess deposits. In addition, pottery sherds from Huating have been examined by microscopic petrography. All of these results will provide needed input in the planning of research towards the formation of a Neolithic/Shang Dynasty ceramic database for future use in archaeological research in China. 相似文献
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