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Yelang (夜郎), a mysterious state located in the south‐western area of early China and dating from the Bronze Age to the Early Iron Age (1300 bc – ad 25), is a cultural interactive junction between the Yunnan–Guizhou Plateau and the Yangtze River Basin. The Zhongshui Basin in Weining County, Guizhou Province, was one of the important distribution areas of the Yelang civilization. This area, which includes sites at Jigongshan (鸡公山; 1300 – 800 bc ), Hongyingpan (红营盘; 700 – 400 bc ) and Yinzitan (银子坛; 400 bc – ad 25), has provided a very integrated chronology, spanning from the Bronze Age to the Early Iron Age in the eastern Yunnan – western Guizhou area. To investigate human migration and horse‐trading at these Yelang sites, we conducted a strontium isotopic analysis on the teeth enamel of humans and horses unearthed from these three sites. The results indicated the following: (1) people at the earlier sites (Jigongshan and Hongyingpan) were all indigenous, whereas in the Yinzitan cemetery, there was a more immigrant population, and all the people who were buried in an upper limb flexed supine position were non‐local; and (2) most of the horses found at the Jigongshan and Yinzitan sites show different provenances, probably related to the famous Dian (滇) and Zuo (筰) horses recorded in historical documents, providing more clues for further study on horse‐trading in South‐West China during the Bronze Age and the Early Iron Age.  相似文献   
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ABSTRACT

Compared to other gorget styles and themes made during the Mississippian period, the so-called rattlesnake gorgets of eastern Tennessee have been found in fairly large numbers. Stylistically, Muller assigned these gorgets to the temporally related Lick Creek and Citico styles, while Crawford’s recent work has argued for substyles within. While their style has been studied extensively, the idea that these gorgets depict rattlesnakes generally has been accepted without further consideration. In this paper, we present the results of a systematic iconographic study of rattlesnake gorgets. Ultimately, we conclude that the image’s original referent is not just a snake but instead is intended to be a model of the cosmos at night.  相似文献   
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杨瑾 《东南文化》2018,(2):98-104
女性题材的展览主要分为女性博物馆的基本陈列和专题展览、综合类博物馆的常设展览和临时展览,旨在以"物"为媒介来展示女性的生存状态和精神追求,与公众一起讨论有关女性的话题,甚至包括一些敏感的、有争议的现象或问题。博物馆以女性为题材,组织展览和教育活动,关注、探讨并传播女性文化,一方面反映出博物馆关注并回应女性广泛参与社会生活并贡献于社会变革与发展的现实,发挥博物馆作为时代潮流倡导者和引领者的作用;另一方面,女性观众数量增多,参观需求多元化且女性广泛参与博物馆事务,对博物馆展览理念也产生一定的影响。然而,博物馆的女性主题展览也存在数量少、展览和诠释活动中对女性价值和意义挖掘不够等问题,需要在理念和实践上进一步改变。  相似文献   
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韩国河  朱津 《文博》2015,(3):28-32
随着中小型汉墓资料的日益丰富,其研究思路和体系需要拓展和创新。研究广度方面,汉墓的分区研究需要完善,要用更广阔的视野进行对比研究;研究高度方面,需要对中小型汉墓进一步解读,上升至对社会制度和历史发展规律的探讨;研究深度方面,对中小型汉墓的研究需更加细致化,科技分析方法要更多地应用其中。  相似文献   
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Mapungubwe (AD 1220–1290) is generally regarded as the first urban centre in southern Africa, functioning as the seat of power for an extensive but short-lived polity. More than 80 years of excavations here, and at its nearby predecessor K2 (c. AD 1000–1220), resulted in a substantial assemblage of material remains from elite and commoner contexts. This assemblage includes a large collection of worked bone objects, such as needles, awls, tubes and objects of personal adornment. Of particular interest are the bone arrowheads and link-shafts, of which a significant number of specimens were found complete and intact. Such quantities of well-preserved worked bone objects are unique in the archaeological record of the region. The worked bone assemblages from these two sites provide a rare opportunity to study multiple components of the production process as well as the use context of bone objects. In this paper, we characterise the K2 and Mapungubwe worked bone industries through various morphological, technological, use-trace and contextual approaches and discuss the significance of these aspects in terms of raw material selection and manufacture and archaeological use context. In particular, this study shows the complexity of these worked bone industries over time.  相似文献   
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This article argues that the most severe crisis of masculinity among British and Dominion soldiers in the First World War did not take place on the Western Front. Instead, British and Dominion soldiers serving on the war's sideshows in Macedonia, Mesopotamia and Palestine believed most acutely that their manliness was in question. Unlike soldiers on the Western Front, they were not battling the main German Army, they were not fighting to liberate occupied France and Belgium, and their war was not to preserve the rights of small nations and the inviolability of international law. This article explores how military masculinity played out much differently on the war's peripheral fronts in two ways. First, it suggests that where a soldier fought mattered more to military masculinity than a soldier's method of enlistment or any other variable. British and Dominion soldiers were fully aware that the home front only considered France and Flanders as the real war, and they actively argued against this misconception to loved ones and in their memoirs. Second, this article demonstrates an additional crisis of masculinity on the war's peripheral fronts: the lack, or more often effacement, of non‐white colonial (Eastern Mediterranean and Arab) women. Not only was British and Dominion military masculinity under assault on the war's peripheral fronts, heteronormative sexual relations were also being transformed in a world where few, if any, racially acceptable women were available.  相似文献   
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The starting point of this article is an understudied piece of critical exegesis from 1657 titled Humble Reflections Upon Some Passages of the Right Honorable the Lady Marchionesse of Newcastles Olio. An obscure Englishwoman named Susan Du Verger composed this 164-page tract to refute a three-page essay on “A Monastical life” by the prolific poet, playwright, and philosopher, Margaret Cavendish. While there is now a substantial body of work on nuns and convents, this research largely overlooks how early modern women engaged with these topics in a scholarly manner. Along with elucidating the gamut of relevant patristic and ecclesiastical histories that were available in the English and French vernaculars, Humble Reflections provides a prompt for investigating Cavendish’s ideas on ecclesiastical order, ceremonies, and toleration. I propose that Cavendish refused to grace Du Verger with a direct response because her polemic disregarded the unofficial codes of conduct — friendship, transnational community, and inter-confessional co-existence — that were supposed to maintain peace within the Republic of Letters. In conclusion, this essay displays that Cavendish was actually a great admirer of monasticism, though not so much for its role in the spread of Christianity as for its place in the development of natural philosophy.  相似文献   
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