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This article compares and contrasts the approaches of the NewDeal Federal Writers' Project and the Columbia Oral HistoryProgram in an effort to reconsider the paradoxical history oforal history research in the United States and its relationshipto how many oral historians today look at their work and thehistory of their field. As it turns out, the theoretical andsocial concerns of the FWP projects are closer to current theoreticalconcerns of oral historians than the work Allan Nevins conductedin the early years of the Columbia project. The article alsoshows how awareness of the history of the intellectual and culturalcurrents that affect oral history projects in general, and theFWP's work in particular—interviews with former slaves,tenant farmers, industrial workers, and members of ethnic minorities—canhelp us analyze and use those materials. It argues that an awarenessof continuity and discontinuity in the history of oral historymakes it possible for today's oral historians to have a productivedialogue with their predecessors in the field. 相似文献
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Jerrold E. Hogle 《European Legacy》2019,24(3-4):368-379
ABSTRACTMary Darby Robinson is well known for writing her final volume of poems, the Lyrical Tales (1800), as a direct answer, sometimes poem by poem, to Wordsworth and Coleridge’s 1798 Lyrical Ballads. What has been less studied is how deliberately hybrid in style and allusions her response-poems are in the Tales, especially how prominently they foreground Gothic imagery, theatricality, and hyperbole in poems that also ape the emerging “romantic” mode of the Ballads themselves. Part of that “cheekiness,” I argue, stems from the condemnation of the Gothic that both Wordsworth and especially Coleridge had articulated in print, while also echoing it, albeit in highly modified ways, in their poetry. Most of what Robinson attempts with her hybrid Tales, though, develops the penchant in Gothic for symbolizing deep and unresolved ideological conflicts in Western culture. Her answers to Wordsworth and Coleridge, which I exemplify with selected Robinson Tales, therefore, bring out those very conflicts underlying, haunting, and even tormenting the speakers and the subject-matter in the original Lyrical Ballads. 相似文献
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Beale Post 《英国考古学会志》2013,166(3):226-235
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AbstractA recent survey of the floor-tiles of Cleeve Abbey has revealed a much larger range of designs and fabric groups than had previously been assumed. The style of the earliest pavements derive from those laid at Clarendon Palace in the first half of the 13th century, and may have been made on site. In the late 13th century tiles of high quality were imported from the Gloucester region to pave the frater. The next group of tiles came from a Somerset tilery operating at the same time or just after the Gloucestershire tilery. By c. 1330 the entire church was paved along with the sacristy and chapterhouse, using tiles made by a local industry. There was no revival of tile-making after the mid-14th century. 相似文献
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Jerrold Seigel 《History and theory》2004,43(3):400-409
Michel de Certeau: Les chemins d'histoire. Edited by Christian Delacroix, François Dosse, Patrick Garcia, and Michel Trebitsch. 相似文献
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Chris W. Post 《Journal of Cultural Geography》2013,30(3):328-355
The production landscapes that once dominated the rural American West are being transformed into amenity landscapes intended largely for consumption by in-migrants and visitors. However, once people settle in the rural West, a newly realized amenity may be recognized: the region's relic cultural landscape. This paper builds upon a 2007 study that used resident-employed photography to assess the varying environmental perspectives of, and social interactions between, newcomers and long-established ranchers in a rural Colorado valley. Photographs taken by both lifelong ranchers and newer nonagricultural residents highlighted two relic landscapes in the valley: its cemetery and one-room schoolhouse. This study investigates these particular cultural landscapes, their histories, meanings, and what their futures in this region may hold, given the in-migration. Using archives, landscape interpretation, and interviews with key informants, this paper analyzes how newcomers may appropriate these relic landscapes and further develop them as cultural amenities in their new environment. Simultaneously, long-established ranchers may defend these landscapes of their own heritage against such co-optation. The interests of newcomers in these historic relics impacts how they are, and will continue to be, managed, possibly creating new opportunities for social interaction among these groups. 相似文献
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Richard T. Antoun Guity Nashat Jerrold D. Green Michael Craig Hillmann Anne Enayat 《Iranian studies》1979,12(1-2):109-132
Women in the Muslim World. Edited by Lois Beck and Nikki Keddie. Cambridge, Massachusetts: Harvard University Press, 1978. 698 pp. $30.00.
Iran: Monarchy, Bureaucracy and Reform under the Qajars: 1858–1896. By Shaul Bakhash. London: Ithaca Press (St. Anthony's Middle East Monographs, No. 8), 1978. £7.50.
Iran: The Illusion of power. By Robert Graham. London: Croom Helm, 1978. 228 pp. £7.95.
An Anthology of Modern Persian Poetry. Selected and translated with an introduction by Ahmad Karimi‐Hakkak. Boulder, Colorado: Westview Press, 1978 (Bibliotheca Persica: Modern Persian Literature Series, Number 1), xvii + 203 pp. $15.
Entrepreneurs of Iran. By Mohammad Reza Vaghefi. Palo Alto, Calif.: The Altoan Press, 1976. 196pp. 相似文献