Forty Thousand Arms for a Single Emperor: From Chemical Data to the Labor Organization Behind the Bronze Arrows of the Terracotta Army

This paper explores the integration of chemical data with metric studies and spatial analyses of archaeological artifacts to investigate questions of specialization, standardization, and production organization behind large-scale technological enterprises. The main analytical focus is placed on the 40,000 bronze arrowheads recovered with the Terracotta Army in the First Emperor’s Mausoleum, Xi’an, China. Based on the identification by portable X-ray fluorescence spectrometry of chemical clusters that correspond to individual metal batches, and combined with a study of their context in the tomb complex, we argue that the manufacture of arrows was organized via a cellular production model with various multi-skilled units rather than as a single production line. This system favored more adaptable and efficient logistical organization that facilitated dynamic cross-craft interaction while maintaining remarkable degrees of standardization. We discuss the use of “the batch” as an analytical category and how our method might be applied to other studies of craft organization in complex societies and imperial systems.     

Our Dear Cousins the Americans: Sara Jeannette Duncan in Washington

As a young woman, Canadian author Sara Jeannette Duncan (1861–1922) spent nearly a year writing for the Washington Post on literary and cultural matters, and published many of her assessments of American society in The Week, Goldwin Smith's journal of Canadian affairs. Her articles repay close scrutiny not only for their inherent interest as witty observations of America by an engaged Canadian observer, but also for the manner in which they reveal Duncan's national preoccupations and biases. Approaching the Republic with neither antipathy nor deference, Duncan turned her newspaper sketches into an occasion for wide-ranging cultural comment on the nature of the republican experiment – especially concerning America's claims to freedom and human flourishing. She found the results encouraging, if not without salutary warnings, for Canadian efforts in the same direction.     

Canadiana Abroad: The Department of External Affairs' Book Presentation Programmes, 1949–1963

This article examines one aspect of Canada's early cultural diplomacy. During the late 1940s, the Department of External Affairs frequently received requests for Canadian books from foreign libraries. At the same time, many officials were eager to promote Canadian culture abroad. The Annual Book Presentation Programme was inaugurated with the intention of creating “repositories of Canadiana” which might stimulate interest in Canada among foreign readers. Although the budget for the program was always modest, over the years the department's book gifts did fulfill their aim, creating a basis for the later growth of Canadian studies in universities abroad.     

Libertarian Paternalism as a Tool to Explore Strategic Sub-Regional Planning in England?

Across Europe, a series of revisions and realignments are currently taking place in sub-national governance structures. In England, this involves the creation of a new scalar construct through the dismantling of the regional tier and the creation of new sub-regional institutions. Through focusing on the move towards subsidiarity, this article considers the extent to which libertarian paternalism—or “don't do anything unless you have to”—and the adoption of some of these key principles by the UK government—can help to illuminate and explain such contemporary processes of restructuring and rescaling of governance. In turn, the article considers (i) the form, process and outcomes of planning practices within this restructuring; and (ii) the implications arising in respect of the democratic accountability and strategic efficiency of the new arrangements, and the interests that are being privileged therein.     

'Old Paris Is No More': Geographies of Spectacle and Anti-Spectacle

The term 'spectacle' has played an important role in recentcritical discussions of vision and visuality. In human geography it has often been used to designate new forms of capitalist urban development associated with display and show. This paper examines aspects of the term by addressing the critique of the spectacle developed by the situationist Guy Debord. It situates his writings on the subject back into the context of his engagements with the modern city between the 1950s and 1970s, especially in Paris, where hespent much of his life. In particular, it reads these writings in terms both of his bleak view of urban change and alienation under capitalism and of the 'glimmers of light' that he found in 'the setting sun of this city.' Debord's attachment to certain urban sites within this critique of urban spectacle was often nostalgic. Yet it can also be understood as part of his concern with challenging the ways in which urban spaces were being reconstructed, and as opening up gaps or cracks for thinking about 'counter-sites' and points of political intervention.