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利用三维扫描技术获取兵马俑残片的三维点云数据,结合Geomagic Studio和Hypermesh建立高精度的兵马俑足踝残片三维实体网格模型。通过基于ABAQUS的重力作用下的有限元分析,研究足踝部分的Von Mises应力和变形特征,以确定足踝处的受力薄弱部位。为进一步探究模型各残片的最佳点云简化比例,采用点云简化模型进行相同工况的有限元分析,以验证点云简化的可靠性。结果表明:结构在重力作用下可保持安全稳定的状态,相对薄弱部位位于左腿足踝处;对于大部分残片,其最佳简化比例在60%~70%,简化后可有效缩短模型实体化处理时间;采用简化模型得到的有限元结果,其最大Mises应力相比于原始模型的误差小于15%,且应力云图和变形图形状接近,模型简化具有可靠性。 相似文献
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油画颜料层裂纹是一种常见的病害类型,严重的裂纹会影响作品的视觉效果。裂纹修复所采取的措施应以缓解病害,延续寿命为目标,避免不当修复对其文物价值的改变。本研究通过红外光谱和便携式X荧光能谱分析,初步确定了裂纹产生的原因与材料技法和机械作用力有关,长期的温湿度波动则是最终形成老化裂纹的重要因素。对两类常见的裂纹加固方法比较后得出结论,色蜡改变了原画的光泽度和肌理层,动物胶调碳酸钙更适宜作为裂纹的填补材料。观察修复后的油画保存状况,发现经过修复的颜料层仍存在继续劣化的风险,必须维持保存环境的相对稳定,方可延长修复周期。 相似文献
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The quick and accurate identification of post-earthquake rescue objects can minimize the casualties and property loss caused by earthquakes. With the rapid development of remote sensing technology, rescue objects can be identified through high-resolution remote sensing images. There are two main categories of approaches to identify rescue object through high-resolution images: automatic extraction by a computer and visual judgment by professionals. Although results can be obtained quickly by using automatic extraction, the accuracy of the results is unacceptably low. For visual judgment, the large demands for time and professionals restrict its wide practical application. In this study, we introduce crowdsourcing into the identification of post-earthquake rescue objects. First, we integrate the advantages of the computer and crowdsourcing, which means that the computer takes advantage of the speed of information processing, while crowdsourcing makes full use of human recognition capabilities. Second, we take visual judgment tasks out of the hands of professionals and entrust the tasks to workers in a crowdsourcing platform. Not only are the human resources infinite, but we can also improve the efficiency of identifying rescue objects. Third, we propose a crowdsourcing model that improves the quality of the results and saves human resources. Finally, experimental results demonstrate that our solution is feasible. 相似文献
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《陈寅恪的最后二十年》、《顾颉刚和他的弟子们》、《束星北档案》等著作,代表了当前历史传记写作的一种趋势。《陈寅恪的最后二十年》的文本近似历史叙事散文;《顾颉刚和他的弟子们》的文本更接近史学论文;而《束星北档案》则类同电视记录片的文稿。这些著作共有的特点是:在修撰方式上,大量运用了第一手材料;在文本风格上,力求作品深入浅出、雅俗共赏;在写作理念上,坚持真实第一,尊重历史。这一趋势非常值得重视。 相似文献
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中国古代书画,因其年代久远,递藏情况复杂,多数屡经裁切割补、修复重装,故而有很多历史信息或被叠摞或被遮蔽,导致今人不能以肉眼直接观察而获得,而纸绢接补,墨迹、颜料、印鉴的残损也为书画研究者带来诸多悬而未决的问题。近年来,高光谱技术作为一种非侵入式的光谱成像技术,已逐步应用于各类彩绘文物中,该技术可为中国古代书画研究和保护提供更丰富的信息。本工作以文献调研为基础,简要介绍了高光谱成像的原理及技术特点,对高光谱技术在中国古代书画研究的实践进行总结,梳理了国内外研究者利用高光谱技术在书画、档案及相关彩绘文物的增强显示、物质识别、虚拟修复方面的应用案例,以期为相关研究者提供参考借鉴。 相似文献
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在弓箭产生之前的原始社会,人类制造的石器工具不具备大规模改变生态环境的效能;人类最基本的食物获取方式采集与狩猎也不构成对生态环境的大规模破坏;人类和其他生物一起,维护着生态系统的和谐、稳定与美丽。尽管在文明程度方面原始社会无法同后来的文明时代相比,但是,同农业时代和工业时代人类对生态环境的大规模破坏,人类同大自然的日益疏离相比,原始社会在人类历史上具有无与伦比的生态保护价值,给文明时代人类极其重要的启迪,应该作为人类历史的宝贵财富加以珍视。 相似文献
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ABSTRACTIn December 1984, a private Japanese academic organization, the “Nanjing Incident Research Committee” (Nankin Jiken Chōsa Kenkyūkai), sent a survey team to visit Nanjing, with the aim of obtaining more evidence on the Nanjing Massacre to counter the internal debate within Japan. Through the coordination by the “Office of the Leading Team on History, Museums and Monuments for the Nanjing Massacre” during the visit, the survey team was able not only to gather historical materials, meet with survivors, and tour historical sites, but also to engage in exchanges with Nanjing researchers and students of Nanjing University. This visit to Nanjing further publicized Japan’s internal debate on the Nanjing Massacre in China, while also representing an unprecedented effort for collaboration between China and Japan in research on the Nanjing Massacre. 相似文献