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1.
The nature of the political culture itself is often seen by commentators as the cause of democracy failing to take root in China; the antidemocratic elements of that culture being overemphasised while the democratic elements are underemphasised. This paper examines the application of the ideas of democratic culture in China to the current state of play, including the possibility of the democratic card being played by factions within the Chinese Communist Parry (CCP). There are indeed cultural problems associated with Chinese democratisation such as cultural anomie, unconscious authoritarian personalities, the legacy of egalitarianism, the radical polarisation of Chinese culture, difficulties of institutional compromise and the irrational control of aggression and fear. While the antidemocratic culture is stronger at present than the democratic culture, the new Chinese democratic culture is likely to gather strength in the future.  相似文献   
2.
本文通过考古实物的科学分析,认为早在西周时期胶东青铜技术便发展到了一定水平,战国后便发展到了较为成熟的阶段,大约自西周始,胶东青铜技术与中原便是大体同步发展了的.文章最后还将胶东青铜合金成分与《考工记·六齐》作了比较,并提出了“六齐”既不是生产经验的总结,也不是指导生产实践的工艺规范,而是一种试验资料的反映和归纳的观点。  相似文献   
3.
公共交通是我国老年人出行的主要交通方式之一,公交移动性是衡量老年人生活质量和幸福感的重要指标。从季节和空间双重维度分析老年人公交移动性的影响因素有助于深入理解老年人出行行为机制。利用公交刷卡数据和地理探测器方法分析了季节时空因子对老年人公交移动性的影响。研究发现:①不同季节中空间因子对老年人移动频率、移动半径和移动熵的解释力和显著性存在明显差异,对老年人移动性影响机制的分析应考虑时空变化的双重影响;②不同空间因子之间以及季节与空间因子之间的交互作用可以显著增强对老年人移动性空间分异的解释力,考虑多个因素的协同效应对深入理解老年人行为有一定帮助。研究试图拓宽老年人移动性影响因素的分析思路,为老年宜居城市建设和城市移动性规划提供重要支撑。  相似文献   
4.
Shenjing He  Junxi Qian 《对极》2023,55(3):853-876
Rancière's theorisation of police, politics, and aesthetics offers an illustrative framework to understand urban (re)developments. While extant works have examined separately the art of governing through aesthetics and the political subjectivities of those having no part in the frame of visibility and intelligibility, this study argues that hegemonic aesthetic regime and bottom-up aesthetic practices can be mutually constitutive and reside in relationships of co-existence and mutual negotiation. Drawing on over a decade's investigation in Enninglu, a neighbourhood district in Guangzhou that underwent several rounds of political struggles related to redevelopment and conservation, we reveal how local residents negotiated aesthetic norms enacted by the state. Particular attention is paid to the interactions between the aesthetic regime imposed by the state and grassroots people reclaiming their own aesthetic sensibilities, culminating in a contingent, inconclusive, and “impure” space of politics. Both political subjectivities and aesthetic norms are redefined ongoingly in this process.  相似文献   
5.
古铜矿遗址围岩表层有害生物的防治   总被引:3,自引:0,他引:3  
铜绿山古铜矿遗址地处长江中游地区、空气湿度大、围岩表层有害生物成片生长蔓延,对遗址的长期保护造成极大威胁。对此采取了改变遗址的环境条件、喷涂消杀药品的方法,消除了围岩表层有害生物的危害。经过一年半的观察表明该方法是可行的。  相似文献   
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7.
洪武、永乐年间曾经两次大规模迁徙富户到京师,这是明初统治者为巩固自身统治而采取的重要措施。依据新发现的徽州文献,结合其他文献资料,对此可做进一步的深入研究。明初的京师富户之役是为修建新都而针对特定富民群体设定的一种极为严苛的徭役,被强迁的富户为此付出了极为沉重的代价。明中期以后,京城的大规模建设业已完成,统治者的治国方略和政策措施也做了一定的调整,对京师富户役进行了多次宽免。在明代中期的役法改革中,京师富户役逐渐演变为一种在原籍地摊派征收的银差,明初强迁至京师的富户之役则逐步消亡。  相似文献   
8.
The study implements the performance-based analysis and design methodology to assess the seismic vulnerability of a coal-fired power plant and to optimally design its equivalent pendulum-type tuned mass damper system such that the direct losses are minimized. A building-specific total loss ratio is developed to link the component level losses with the total repair cost of the original structure. The optimal system configuration is finally derived for cases with the minimum loss. The study demonstrates a systematic way of achieving the optimal pendulum-type tuned mass damper design with considerations of uncertainties in earthquake inputs and the combined component level damages.  相似文献   
9.
通过考察多元场对钧瓷文化创意产业知识创造、流动及学习创新的影响发现:①场为主体的地理、社会及文化认知等临近等提供了条件,有助于经验意会及符号知识的获得、共享与传播,有利于思想的交流碰撞及创意萌生;②生产现场、地方关系场、地方社会场与临时性场在钧瓷的学习创新中发挥着不同而又相互补充的作用。生产场推动着集群知识积累和增进,地方关系场促进了行业知识、生产经验及家族核心知识的传播传承,地方社会场形成了地方共享知识信息,而临时场建立起外部通道联系,发挥着更新地方知识库的作用;③地方性的历史文化资源与传统以及地理-社会-文化等临近造就了外围地区文化创意经济的动力,但若未来本地知识更新的机制不够强大,则易产生发展锁定,这是需要未来引起关注的问题。  相似文献   
10.
Science Cities: What the Concept of the Creative City Means for Knowledge Production. – The article aims to show that the relationship of science and the city has changed since the 1970s in the context of the knowledgeable society. While cities have principally been regarded as the typical space of science, of new ideas and innovation for centuries, since the 1960s and 1970s universities, research institutes as well as industrial research institutes have relocated to the periphery of cities. There, however, these sites of knowledge have been organized in an ‘urban mode’. That means that the concept of the city as a place of science and innovation has determined the architectural, spatial, and social organization of these sites on the periphery of cities. Certain features of the city have been copied, such as social infrastructures, places of communication, restaurants, cafes etc., while others have been left out – housing, cinema, theatre etc. An ‘urban mode of knowledge production’ in the sense of a very stylized model of the city has become a tool to enhance the production of scientific and technological knowledge. – The article exemplifies this by focusing on a case study, namely of the so‐called ‘Science City’ of the Siemens Company in Munich‐Neuperlach.  相似文献   
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