Reviews

SPECIAL STUDY ON ECONOMIC CONDITIONS IN NON‐SELF‐GOVERNING TERRITORIES. United Nations, N.Y., 1960. Pp. v + 42. $1.50.

LAND, “WATER AND FOOD. Herbert Addison. 2nd edition, London, Chapman & Hall, 1961. Pp. xii + 284. Stg. 21/‐.

THE ATTACK ON WORLD POVERTY. Andrew Shonfield. London, Chatto & Windus, 1960. Pp. x + 244. Australian Price 34/9.

THE ECONOMICS OF DEFENSE IN THE NUCLEAR AGE. Charles J. Hitch and Roland N. MeKean. Cambridge, Mass., Harvard University Press, 1960. Pp. xiv + 422. Australian price 98/3.

DEFENCE BY COMMITTEE. F. A. Johnson. London, Oxford University Press, 1960. Pp. viii + 416. Australian price 81/3.

EMPIRE INTO COMMONWEALTH—the Chichele Lectures, Oxford, May 1960. Earl Attlee. London, Oxford University Press, 1961. Pp. 54. Australian price 12/6.

TANGANYIKA AND INTERNATIONAL TRUSTEESHIP. B. T. G. Chidzero. For the Royal Institute of International Affairs. London, Oxford University Press, 1961. Pp. xii + 286. 2 maps. Australian price 57/9.

MULTI‐RACIAL SOUTH AFRICA. Z. J. de Beer. For the Institute of Race Relations. London, Oxford University Press, 1961. Pp. vii + 69. Australian price 10/‐.

POLITICAL AFRICA: A WHO'S WHO OF PERSONALITIES AND PARTIES. Ronald Segal. London, Stevens, 1961. Pp. xii + 475. Australian price 72/‐.

INDIA'S CONSTITUTION IN THE MAKING. B. N. Rau. Calcutta, Orient Longmans, 1960. Pp. 510. Rs. 25.

OIL IN THE MIDDLE EAST. S. H. Longrigg. For the Royal Institute of International Affairs. London, Oxford University Press, 1961. Pp. xiii + 401. Australian price 55/6.

TRADE PROTECTION IN AUSTRALIA. A. J. Reitsma. Leiden and Brisbane. H. E. Stenfert Kroese and University of Queensland Press, 1960. Pp. xi + 195. Australian price 40/‐.

NEW MEN OF PAPUA: A STUDY IN CULTURE CHANGE. Robert F. Maher. Madison, University of Wisconsin Press, 1961, Pp. xii + 148.     

What Lula lacks: Grappling with the discourse of autism at home and in the field (Respond to this article at http://www.therai.org.uk/at/debate)

This paper examines the discourse of autism as we have experienced it as parents of an autistic six year‐old girl. Because both authors are anthropologists, we were professionally trained to understand something of what discourses are and do. However, our training did not necessarily help us blunt the original force of the diagnosis. Over time we have come to understand both our daughter and the discourse that is said to define her differently, and these understandings have fed back into our understanding of our discipline. One key transformative event occurred when we took our family to live in a village where we had done previous research. This reminded us of the conceptual power of discourses: we put the discourse of autism to work for our own purposes, but at the same time it works on us, shapes us in ways we do not always realize.     

The composition of late Romano-British colourless vessel glass: glass production and consumption

One hundred and twenty-eight colourless glass tablewares from settlement contexts throughout the British Isles, dating from the mid-3rd to 4th century AD, were analysed by ICP-AES spectrometry. Three distinct compositional groups were identified based upon the use of different decolourisers and primary raw materials, with possible sub-groups within these. These compositions have distinct, but overlapping chronological ranges, suggesting colourless glass production in at least three, possibly more, centres in the late Roman period. The compositional analysis highlights the high degree to which recycling of glass was taking place during this late period. The chronological distribution of some of these compositions is more restricted within the British assemblages than is observed in other published assemblages from Western Europe. This distinction may indicate different supply patterns of glass to the Western provinces.     

Turn your trash into… Rubbish,art and politics. Richard Wentworth's geographical imagination

This paper analyses the photographs and installations of artist Richard Wentworth in order to examine his urban imagination and the cultural politics of rubbish that underlie it. In doing so this paper contributes more broadly to understandings of rubbish and material culture, and to geography's attention to artistic understandings and inhabitations of urban spaces. Central to this analysis are the geographies of Wentworth's work, its production, consumption and circulation. The paper attends to three nested sets of practices: the ‘everyday’ practices of people which draw Wentworth's eye, the potential of creative cultural practices for developing critiques of space and place, and the practices of the artist. As a result the paper pushes forward debates around the relationship between geography and art, reflecting on the analytical value of art practice to contemporary social-cultural geographies.