The autonomous world reversed: comparing liberal policy and autonomy in the performing arts

Comparative studies of cultural policy commonly emphasize the way in which states treat the autonomy of the arts. Such studies often claim that liberal states promote autonomy, while social democratic states promote more external, instrumental values, such as solidarity, universalism and equality. This article challenges this conception by claiming that in actual cultural policy-making it is in fact the other way around. Based on a comparative study of theater policy in England, Norway and the Netherlands, I find that the focus on artistic autonomy is surprisingly absent in the liberal state of England, compared to what it is in the social democratic state of Norway. Conversely, English theaters are more obliged to work for, and with, the citizens and the community than theaters in Norway are. In the Netherlands, where recent development in general policy has headed in a liberal direction, artistic autonomy actually appears to be increasingly challenged.     

An Empirically Based Implementation and Evaluation of a Hierarchical Model for Commuting Flows. 一种基于经验的层状通勤流模型实现与评估

This article provides an empirical evaluation of a hierarchical approach to modeling commuting flows. As the gravity family of spatial interaction models represents a benchmark for empirical evaluation, we begin by reviewing basic aspects of these models. The hierarchical modeling framework is the same that Thorsen, Ubøe, and Nævdal (1999) used. However, because some modifications are required to construct a more workable model, we undertake a relatively detailed presentation of the model, rather than merely referring to the presentation in Thorsen, Ubøe, and Nævdal (1999) . The model uses a hierarchical specification of a transportation network and the individual search procedure. Journeys to work are determined by the effects of distance deterrence and of intervening opportunities, and by the location of potential destinations relative to alternatives at subsequent levels in a transportation network. The model calibration uses commuting data from a region in western Norway. The estimated parameter values are reasonable, and the explanatory power is very satisfactory when compared with the results of a competing destinations approach.     

Archaeological material and ethnic identification. A study of Lappish material from Varanger,Norway

The term Lappish Iron Age has been established in Scandinavian archaeology but the ethnic affiliation of the body of archaeological material labelled so has never been discussed in detail. In this article two questions arc discussed: Is it possible from archaeological material to verify a hypothesis about a specific ethnic affiliation? And is it appropriate to refer to this archaeological material as iron age finds? A general discussion about problems involved in identifying ethnic groups is given, after a brief presentation of the empirical material. Attention is drawn to Barth's analysis, where he shows that the cultural content seems to be of two orders: (i) overt signs and signals, and (ii) basic value orientations. The discussion is carried out in accordance with these two orders. It is argued that this analysis cannot provide us with information about a specific ethnic affiliation; although it cannot tell us which group, it can verify that the material in question does represent one specific ethnic group. If we want to identify one specific ethnic group we have to use other sources besides the archaeological record. The use of sources like written documents, linguistics, place names and physical anthropology is discussed. The conclusion is drawn that by the use of various sources we can trace the identity of one specific ethnic group.     

Dental root dentine translucency used in age determination of medieval Norwegians from Trondheim

A pilot study on eight skulls from the churchyard of St Olav's church in Trondheim, excavated in 1988–1989, was carried out to compare age determined by root dentine translucency with the age assessed by a physical anthropologist. The difference in mean age between the two methods was not significant (p = 0.06). Age determinations based on root dentine translucency were then performed on removable teeth from the adults among the 248 skeletons found in the same churchyard, excavated in 1984–1985. A comparison between the ages determined using root dentine translucency and the ages previously determined by the direct inspection method was performed. A significant systematic difference was seen between the two methods (p = 0.000). The root dentine translucency method gave an age range for the cohort excavated in 1984–1985 between 30 and 72 years, whereas the direct inspection method gave a range between 15 and 63 years. Because evaluation of many criteria are required to achieve reasonably accurate estimates of age in connection with the direct inspection method, expertise in skeletal biology is necessary. The method of measuring root dentine translucency as a tool in archaeological and anthropological work and fieldwork and in forensic science seems to have advantages because the method can be used without previous extensive training.     

Analysis of enamel ultrastructure in archaeology: The identification of Ovis aries and Capra hircus dental remains

Ultrastructural features of deep, intermediate and superficial enamel were quantitatively assessed for the mandibular first permanent molars of 10 specimens each of the domestic sheep (Ovis aries) and goat (Capra hircus). The means of a number of variables differed interspecifically at high levels of statistical significance, especially with regard to the enamel of intermediate depth. A canonical discriminant function analysis employing nine variables at all three enamel depths resulted in the correct taxonomic assignment of 95% of the specimens comprising the present sample. These results, coupled with the simple preparative and analytical methods presented here, may enable archaeozoologists to utilize enamel ultrastructure in order to discriminate between fragmentary dental remains of these caprine species.     

Why are artists getting poorer? About the reproduction of low income among artists

In the period 2006 to 2013, Norway has experienced a substantial increase in public subsidies to culture as well as a substantial increase in real income growth in general. This paper discusses different explanations for why Norwegian artists’ real artistic income has declined between 2006 and 2013, despite the positive economic development in Norway. We have based the study in particular on two comparable studies on the income and work situation of Norwegian artists in 2006 and 2013. We analyse and discuss why the artists’ real artistic income has declined during this period. We do not find a single, general, explanation for this, but the income decline does not primarily seem to be due to either an increasing number of artists or a decline in public scholarships to artists. Our two most striking findings are: (i) A substantial decline in most artists’ artistic working hours and a corresponding increase in artistically related and non-artistic working hours, and (ii) a tendency for artists to derive less of their income from the market, together with an apparent decrease in cultural consumption (spending) among Norwegians. These two factors – especially the latter – seem to be the major factors behind the decline in artistic income.