排序方式: 共有61条查询结果,搜索用时 15 毫秒
1.
Clifford J. RogersAuthor vitae 《Journal of Medieval History》2011,37(3):321-341
Traditional understandings of the development of the medieval English longbow and its role in the fourteenth-century ‘infantry revolution’ have recently been challenged by historians. This article responds to the revisionists, arguing based on archaeological, iconographic and textual evidence that the proper longbow was a weapon of extraordinary power, and was qualitatively different from – and more effective than – the shorter self-bows that were the norm in England (and western Europe generally) before the fourteenth century. It is further argued that acknowledging the importance of the weapon as a necessary element of any credible explanation of English military successes in the era of the Hundred Years War does not constitute ‘technological determinism’. 相似文献
2.
Michael A. Penman Author vitae 《Journal of Medieval History》2011,37(3):295-303
This paper examines the comparatively patchy evidence for the pastoral provision and personal faith of late medieval Scottish combatants below the rank of knight. By examining such sources as papal supplications, royal financial accounts, parliamentary rolls, chronicles, poetry and the cartularies of Scottish monastic houses and burgh collegiate churches, it is possible to identify elite and parish provision of churchmen serving the needs of Scottish troops as they mustered, trained and prepared for battle. In addition, this evidence also highlights a number of cults and relics popular with the social ranks of the ordinary Scottish soldiery, including those of SS Ninian, Leonard, Thomas Becket, Columba, the Blessed Virgin Mary and — often cast as the nemesis of Scottish troops — Cuthbert. However, this survey also points to some tensions between the spiritual interests of Scottish servicemen and their ruling elites. 相似文献
3.
USAMarsha Weidner 《故宫博物院院刊》2007,(5)
本文从西方学者们对收藏在各大博物馆和私人手里的成化和正德时期的数组风格相似、并有明确汉藏文题记的唐卡的研究成果入手,厘清了迄今为止各种学术观点的对与错,并在此基础上,综合性地提出了自己的观点,指出汉藏艺术风格(或藏汉艺术风格)从明初以来到明正德时期衰变的过程,不仅是此前相关研究的盘点和总结,而且推进了此研究向深度和广度的进一步发展。 相似文献
4.
5.
6.
7.
Benjamin L. WildAuthor vitae 《Journal of Medieval History》2011,37(4):378-396
The belt of Fernando de la Cerda is on permanent display in the Museo de Telas Ricas, Burgos. Presently, scholars believe the belt dates from 1252–75, is of Hispano-Islamic work and was worn as a baldric. This article suggests that the belt is English, that it was commissioned by King Henry III and was worn around the waist. Henry gave the belt to the count of Champagne, Thibault II, during his first diplomatic visit to France. In turn, Thibault probably gave the belt to Fernando de la Cerda, the infante of Castile, in 1269, at Fernando’s wedding. The belt’s burial with the Castilian infante provides important evidence of the close familial and political relationships that linked the ruling dynasties of north-west Europe during the thirteenth century. Commissioned as a gift and richly decorated, the belt should be seen as an example of the aesthetic accomplishment of Henry III, his use of propaganda and political aspirations. 相似文献
8.
Dekyi Li Jianmin Chen ChenPhoto 《中国西藏(英文版)》2010,(5):48-51
<正>To differentiate it from the common name"Tseten Dekyi"(a Tibetan name,meaning longevity and happiness)the 30-year-old Drolkar gave her baby girl the name"Tseten Dekyi"(same pronunciation as the first but using different Chinese characters).Drolkar's intention was to avoid giving her baby the same name as all the other Tibetan babies."Although the pronunciation is exactly the same for these two names,and both mean‘longevity' in Tibetan,the written characters for each name in Chinese are totally different so that it is unnecessary to differentiate one name from the other,"Drolkar said. 相似文献
9.
文化定式是指在跨文化交际过程中,人们将具有相同特征的一群人或者任何民族、种族塑造成一定的形象。不同的社会文化背景和历史条件下,人们对事物的认识会发生变化,有时认识与真实情况完全相悖。苏联不同时期社会对外部世界的认识不一,根本原因在于官方宣传的引导,次要原因是社会传统和文化传承。既有的社会文化定式将长期影响人们对事物的认识。 相似文献
10.
STEFANO PODESTAgrave 《Journal of Earthquake Engineering》2013,17(3):419-444
In this paper the Author proposes a damage model for the analysis of masonry plates and shells, which is based on an improvement of a previous constitutive model. The modifications introduced, connected to the head joint damage, allow us to study the influence of masonry texture on the damage modes once the mechanical characteristics of the elements constituting the masonry and the results of tests on simple assemblages are known. Having a nonlinear constitutive model is certainly one of the basic elements for understanding the damage mechanisms in masonry buildings. If, in fact, an elastic-linear constitutive model may be used under normal loading conditions, in critical situations it is necessary to model the damage and the dissipation mechanisms that occur between the elements, stone (brick) and mortar, in correlation with their characteristics and kind of masonry. To validate the model a comparison is made between the numerical and experimental results, in the case of tests available in the literature in masonry panels subjected to out-of plane loading and in a real structure through the observation of the damage in Umbria (Italy) surveyed after the 1997 earthquake. 相似文献