After the Second World War and simultaneously with the independence movement in India many other movements for national independence and removal of colonial rule erupted in other Asian and African countries where news from India was of great importance and interest. This paper will focus on the coverage of India's independence movement by Iranian newspapers which were the main source of such news for the Iranians. The paper will examine a variety of Iranian newspapers across the political spectrum for the accuracy of their reports and the quality of their analysis of the developments in India. In spite of their technical shortcomings and their limited knowledge of India, the articles carried by the Iranian newspapers demonstrate the Iranian public's interest in India's movement for freedom from colonial rule, which they regarded as a source of hope and a model to be followed by other Asian countries suffering from foreign domination. 相似文献
Zhang, Q., Nel, A., Azar, D. & Wang, B. April 2016. New Chinese psocids from Eocene Fushun amber (Insecta: Psocodea). Alcheringa 40, xxx–xxx. ISSN 0311-5518
Two new Psocodea, Sinopsyllipsocus fushunensis gen. et sp. nov. and Eotriplocania sinica gen. et sp. nov., are described from Eocene amber of Fushun City, China. They are distinctly different from all known Psocodea from Fushun amber in their three-segmented tarsi. Sinopsyllipsocus fushunensis is the second unequivocal fossil of Psyllipsocidae. Eotriplocania sinica is the first Asiatic and oldest representative of the Neotropical family Ptiloneuridae, and reveals a formerly global distribution of the family. The discovery of these two families in Eocene Fushun amber suggests a rather warm palaeoclimate for the Fushun amber locality.
Qingqing Zhang [qqzhang@nigpas.ac.cn] and Bo Wang* [bowang@nigpas.ac.cn], State Key Laboratory of Palaeobiology and Stratigraphy, Nanjing Institute of Geology and Palaeontology, Chinese Academy of Sciences, Nanjing 210008, PR China;Qingqing Zhang also affiliated with University of the Chinese Academy of Sciences, Beijing 100049, PR China; André Nel [anel@mnhn.fr], Institut de Systématique, Évolution, Biodiversité, ISYEB—UMR 7205—CNRS, MNHN, UPMC, EPHE, Muséum national d’Histoire naturelle, Sorbonne Universités, 57 rue Cuvier, CP 50, Entomologie, F-75005, Paris, France; Dany Azar [azar@mnhn.fr], Lebanese University, Faculty of Sciences II, Department of Natural Sciences, Fanar, Fanar—Matn—PO Box 26110217, Lebanon. *Also affiliated with: Key Laboratory of Zoological Systematics and Evolution, Institute of Zoology, Chinese Academy of Science, Beijing 100101, PR China.相似文献
ABSTRACTRamey Incised ceramics, characterized by incised symbolic motifs, are often viewed as a hallmark of Stirling-phase Cahokia and the surrounding American Bottom region. However, few comprehensive analyses of the regional Ramey motif assemblage have been conducted. Here I evaluate spatial and temporal variation in Ramey Incised motifs across 16 sites in the American Bottom to improve understandings of Ramey Incised production and distribution. Stirling-phase motif data indicate that the Ramey Incised manufacturing process likely was not as centralized as previously proposed. A qualitative analysis of the regional motif assemblage uncovers variation that may reflect stylistic experimentation. Additionally, motif frequency distributions reveal potential site-specific thematic preferences. Both findings support the existence of local production within the region. Diachronic data suggest the collapse of the Ramey Incised tradition in the Moorehead phase, perhaps in response to sociopolitical and religious transitions occurring at Cahokia. Overall, Ramey Incised ceramics may have served as vehicles through which American Bottom Mississippians variably expressed their interpretations of and relationships to the cosmos. 相似文献
At La Espiral cave, located in Bahia Honda municipality (Artemisa province, Cuba), there are several pictographs, including two of particular importance due to the design used: one of concentric circles and another of a spiral. We analyzed the pigments and binders used in one of these pictographs. The chemical ingredients of the paint are considered in this article, as well as the use of bat guano as a major pigment compound. The apparent presence of ellagic acid, ellagitannin, or anthocyanins would strengthen the hypothesis that artists used vegetable protein as a paint binder or solvent. 相似文献