Characterizations of palace lantern tassels preserved in The Palace Museum,Beijing, by UPLC-ESI-Q-TOF

Palace lanterns were important and highly visible decorations in the imperial palace in Beijing, China, during the Qing dynasty (1636–1912). Most lanterns had colourful tassels made of fibres. The study performed a comprehensive investigation of the materials and dyes used for palace lantern tassels preserved in The Palace Museum, Beijing. Eight samples with different colours, including yellow, green and red, from five palace lanterns were analysed. By using ultra-performance liquid chromatography combined with time-of-flight mass spectrometry, the compositions of the dyes were identified quickly, and thus the dyes' origins were explored. A X-ray fluorescence spectrometer assisted in the detection of whether a mordant was used during the dyeing process. As a result, the tassels were all made of silk, discovered through the use of microscopic observation and micro-Fourier transform infrared spectrometry analysis. Different dyeing techniques were found in these tassels: yellow tassels were dyed by cork tree or turmeric by a direct dyeing method; greens were dyed by pagoda bud with an iron mordant, or by the combination of cork tree and indigo using multi-dyeing method; and red tassels were coloured with different acid red industrial dyes. These results provide valuable data for the conservation of ancient textile tassels and contribute to the investigation of other hanging tags.     

BEYOND THE GPN–NEW REGIONALISM DIVIDE IN CHINA: RESTRUCTURING THE CLOTHING INDUSTRY,REMAKING THE WENZHOU MODEL

This article attempts to advance the research on industrial districts and regional development through a study of the restructuring of the clothing industry in Wenzhou Municipality, a regional driver of the Chinese economy. Wenzhou is known for the Wenzhou model of development traditionally centred on family‐owned small businesses embedded in local institutions. The clothing industry is one of the leading industries in Wenzhou, and a cluster with national significance has emerged, where most of the production components can be purchased locally. However, the industry has been scaled up nationally and internationally, with the expansion of sales networks and production facilities across China, and to a lesser extent, abroad. This restructuring has changed the endogenous nature of industrial clusters/districts. The restructuring challenges the orthodox notion of the Wenzhou model and the New Regionalism literature, particularly the orthodox notion of Marshallian industrial districts that overly emphasizes small firms and local assets, and the global production network perspective that highlights coupling with global lead firms in regional development.     

中国考古学的历史传统与时代使命

目 次 一 救亡图存与重建古史:早期中国考古学的历史选择 二 从考古学文化到区系类型:中国考古学的探索与发展 三 坚定文化自信:新时代考古学的历史使命 习近平总书记"9·28"重要讲话深刻阐述了我国考古工作取得的重大成就和重要意义,为新时代中国考古事业发展指明了前进方向,也为如何构建中华民族历史、认识中华文明丰富内涵、坚定文化自信提供了理论依据[1].考古学在中国是近代化的产物,从它自西方传入中国、并且植根于中华大地这片沃土伊始,一方面在学术目标、理论建设和田野实践等环节就不断形成自身的历史传统,不再是西方考古学的翻版,而是努力朝着建设中国特色和中国风格的考古学体系迈进;另一方面,在不同的时代,中国考古学者也承担起不同的历史使命,不断续写新篇,继往开来,为中华文明和世界文明做出了独特贡献.回顾百年中国考古学史,每当时代发展的重大转折关头,中国考古学都在顺应历史变革、引领社会思潮、坚定文化自信上起到重要的历史作用.     

传统书画装裱修复技艺多元价值及其体系构建探究——基于"苏裱"传承人访谈的思考

价值多元化是中国传统书画装裱修复技艺重要的特征之一.当前书画装裱修复从业者对技艺价值认知程度不均,价值认知现状不能与多元价值共存的现实相匹配.基于非物质文化遗产保护与传承的视角,书画装裱修复从业者应从理念上重新树立多元价值观、方法上加强现代科技手段的有效介入、理念上重视传承人整体情况的深入探求、行动上加快技艺科学化研究进程等几个方面来全面构建技艺多元价值体系.     

试论舟形灶

汉晋墓出土的舟形陶灶分布较广,以淮河及长江下游的江浙皖赣地区为中心,广泛见于北至鲁南,西到湘鄂西部,东南至海的广大区域.其延续时间较长,有些类型一直沿用到宋代.各种类型的舟形灶均有特定的分布区域,随着时代的推移,逐渐向外传播,其中最为典型的B型和C型舟形灶,南移趋势明显,这与历史上的人口南迁有较大关系;而具有岭南文化因素的D型灶则向附近的江西和福建扩散.江淮之间的苏皖地区出现了A型、B型和C型舟形灶的较早类型,不排除这里是舟形灶发源地的可能.     

广西玉林市博物馆馆藏七件铜鼓的初步分析研究

迄今已有2 700多年历史的铜鼓,是南方少数民族地区节日、喜庆、兵事、婚丧、祭祀、礼乐等场合使用的一种重器。为了对锈蚀状况做出科学的现状评估,为器物保护修复技术路线的制定和修复工作的开展提供科学指导,对玉林市博物馆馆藏7件铜鼓综合运用了体视显微镜、金相显微镜、激光显微拉曼光谱仪(RS)和环境扫描电镜及能谱仪(ESEM-EDAX)等仪器进行了金相组织和合金成分分析以及锈蚀产物的分析。分析结果显示:7件器物皆为泥范铸造成型,未见热、冷加工处理现象。7件铜鼓皆为铅锡青铜合金,总体呈低锡高铅的特点。组织形态呈典型α固溶体树枝晶偏析,锡含量处于6.0%～12.2%,分布较为集中,处于中等含量水平(5%≤Sn15%);铅含量处于14.4%～28.2%,铅含量普遍较高且分布较为集中,处于中高铅(10%≤Pb15%)和高铅含量(Pb≥15%)水平,合金中高铅含量配比应为工匠有意合金配比选择;铜鼓的腐蚀类型为α固溶体富铜相优先腐蚀,保存环境主要是富氧、少氯,铜鼓表面锈蚀产物主要为绿色孔雀石和蓝色蓝铜矿以及氧化物,有少量白色白铅矿。在保护修复工作中对于这些无害锈可保留,不予处理,并注重防氧。对于铜鼓表面夹杂泥土,需进行清洗去除。研究结果可为器物保护修复技术路线的制定和修复工作的开展提供科学指导。     

从敬神恤民到敛财虐民——解说明代的新官到任

明初,朱元璋御制《到任须知》,为到任新官提供指南.随后,明廷又将新官到任、复任加以礼制化,包括城外斋戒、入城谒神、望阙谢恩、僚属参见、宴飨父老等环节,旨在敬神恤民.国家层面的礼仪下贯到地方社会后,遭遇世俗化的革易,诸如缩短斋期、铺设银器、聚众看戏等,并由于私人权力的腐蚀而变形,以至于国家礼制的规定沦为敛财虐民的工具.     

汉代漆器的剖析

通过制备并分析一系列模拟漆膜样品。建立了有助于鉴定汉代漆器成分的剖析方法。经裂解气相色谱、差热分析、色谱一红外联用等现代分析技术对出土的汉代漆器残片样品的综合分析,证实在西汉漆器制造中已使用桐油或其它的添加剂,并依据剖析的结果,对某些汉代漆器的原材料差异作了初步探讨。     

基于手机信令数据的长春市活动空间特征与社区分异研究

居民时空行为成为透视城市空间的重要视角,本文基于手机信令数据研究长春市活动空间及其社区分异,轮廓性的揭示居住空间、就业空间和消费休闲空间的分布规律,从人地互动的过程与格局的视角认识城市空间。研究发现,居住活动对中心城区依赖明显高于就业和消费休闲活动,就业活动呈现多中心连片发展格局,近郊的欧亚卖场和郊区的净月潭成为人们消费休闲活动的重要选择。就业-居住距离和消费休闲-居住距离的社区分异显著,折射出三类活动空间关系复杂,由此感知城市生活空间质量和社会空间结构。通过对社区分异的空间聚类分析明晰各地域自身问题,从而有针对性的对长春的空间调整优化和居民行为引导提出建议,构建和谐宜居的城市空间。     

张家界市博物馆明代铜佛像的多视角影像三维重建探索

由于多视角影像三维重建具有数据采集方便灵活、硬件成本低、操作简单、自动化程度高的特点,因此,选用多视角影像三维重建技术对张家界市博物馆明代铜佛像进行三维建模。通过描述佛像立面与空心底部的影像采集,再应用Agisoft PhotoScan软件进行三维重建的过程;从控制点的三维坐标与误差数值、模型成像与影像图的误差分析,得出佛像三维模型的精度误差微小的结论,证明该技术具有操作简单、模型成像清晰的特点。与三维激光扫描技术相比较,多视角影像三维重建技术具有成本费用低、工作流程高效简捷的优势,更适合在文物工作中推广运用。