Selling archaeology and anthropology: early medieval artefacts at the Expositions universelles and the Wiener Weltausstellung, 1867–1900

The archaeological and anthropological exhibits included in the four Expositions universelles held in Paris between 1867 and 1900 and the Wiener Weltausstellung in the Austro‐Hungarian capital in 1873, contributed to the commercialization of antiquarianism and granted international attention to the amateur practitioners of these emerging disciplines. Displays of archaeological artefacts and human remains from the migration period and the early Middle Ages, juxtaposed with more exotic ‘primitive’ art, permitted organizers to broaden the aesthetic sensibilities of fairgoers and promote the acquisition of native antiquities. Exhibiting private collections of early medieval objects likewise justified nineteenth‐century concepts of French and ‘pan‐Germanic’ identity by linking them to iconic artefacts and romanticizing the barbarity of this distant epoch.     

Beyond cemetery walls: early medieval funerary topography and Christian salvation

The article examines how the topography of the Christian cemetery in Merovingian Gaul mirrored the status which the souls of individuals were believed to occupy in the sphere of the next world. In practice, moreover, the clergy's treatment of Christian corpses was often perceived as determining their fate. Drawing on both literary and material evidence, the article argues that the boundaries established between the faithful and the damned in the Christian cemetery supported the Church's claims to sacral authority in this life and the next.