Assessing the effects of geomorphological processes on archaeological densities: a GIS case study on Zakynthos Island,Greece

While geomorphological processes are considered key factors in the distribution of archaeological surface finds, few studies have attempted to quantify the relationship between artefact dispersal and erosional/depositional patterns. This paper compares Unit Stream Power Erosion Deposition model (USPED) and Revised Universal Soil Loss Equation (RUSLE) and integrates the results in the archaeological finds’ density map of Zakynthos Archaeological Project. The study area (Palaiokastro), with artefacts dated from middle Paleolithic to medieval times, includes a steep terrain with a surrounding plain area, where the downslope erosion has considerably modified the distribution of archaeological remains. Through this study, it is possible to identify relationships between high artefact densities and stable/non-eroded surfaces, and on the other hand, low densities and eroded surfaces. However, the results indicate a degree of spatial variability, which modifies the predicted relationship. The consideration of the effects of these temporal and spatial patterns is crucial for developing effective sampling methods and accurately interpreting the archaeological record.     

‘Innovation is a dirty word’: contesting innovation in the creative industries

Innovation is a term that is used and defined in many different ways. This holds for innovation in general, but particularly for innovation in the creative industries. In cultural policy and in academic literature, the creative industries are often addressed in the relation to their innovative capacities, yet a shared conceptualisation of innovation in this sector is lacking. This paper seeks to develop a conceptualisation of innovation in the creative industries based on 43 interviews with creative workers about their views and practices. Results indicate that creative workers articulate numerous views on innovation, with three main approaches: innovation as something completely new, innovation as a contribution to society and innovation as a continuous recombination of new and existing elements, with the latter being most prevalent in the creative industries and considered a central (by-product of the) process of creative production that is highly contextual to specific localities and fields.