The Dor 2001/1 Byzantine Shipwreck,Israel: final report

Dor 2001/1 was a Byzantine coaster, about 16.9 m long, with an estimated displacement of 50 tonnes, dated to the first third of the 6th century CE, and loaded with building stones. It was excavated over five seasons, recorded under water, and a section of the shipwreck was retrieved and studied on land. The hull construction was based on frames without any type of planking edge‐fasteners. It is thus among the earliest frame‐based shipwrecks found so far in the Mediterranean. The origin of its construction tradition, with flat frames amidships, hard chine and straight sides, might have been related to a riverine tradition.     

The Dor 2001/1 Shipwreck, Israel—a Summary of the Excavation

Dor 2001/1 was probably a Byzantine coaster carrying building stones, dated to the end of the 5th or beginning of the 6th century AD. No shell-first construction features were identified, specifically no kind of planking edge-joints; but instead all the essential components showed that it was a frame-based hull. Thus it is apparently among the earliest frame-based shipwrecks found so far in the Mediterranean.
© 2006 The Authors     

From the particularistic to the universalistic: national narratives in Israel’s mainstream press, 1967–97

The aim of this article is to study the development of the Jewish‐Zionist national idea as expressed in the national narrative as it appeared in Israel’s mainstream press during the years 1967–97, against the background of five critical events in the Israeli collective experience as well as in the wake of the Holocaust Memorial Days. This development is studied as a case of the immanent tension between nationalism’s universalistic message and its particularistic application. The Jewish‐Zionist narrative in Israel is found to be ‘shifting’ from its particularistic towards its more universalistic pole. This development is discussed as a transition from a ‘purely national’ to a ‘post‐national’ narrative, and is positioned in its local and global contexts.     

The 19th‐Century Akko 1 Shipwreck,Israel: hull‐construction report

The Akko 1 shipwreck was found in 4 m of water inside the ancient harbour of Akko, Israel, and was fully recorded under water. Several hull‐components were retrieved and documented on land, as well as all the finds. The results of the archaeological research and the study of the historical background suggest that the Akko 1 shipwreck is the remains of an eastern Mediterranean naval auxiliary brig, built at the end of the first quarter of the 19th century, and sailing under the Egyptian flag. The ship was apparently wrecked during the 1840 naval bombardment of Akko. © 2012 The Authors     

The Byzantine‐Period Dor 2006 Shipwreck,Israel: preliminary hull construction report

The Dor 2006 shipwreck was discovered in 2006, 100 m offshore, 800 m south of Dor (Tantura) lagoon. The wooden hull remains included sections of large frames, stringers and ceiling planks, a large number of strakes and wales, some with unpegged mortise‐and‐tenon joints. Among the finds were ceramic sherds, wooden objects, matting, ropes, food remains, and coins. The shipwreck was dated to between the second half of the 6th and the first quarter of the 7th centuries AD. The wooden components of the hull indicate a large ship compared with other shipwrecks of the period, and the largest ever excavated in the Dor area.     

The 7th–9th Century Tantura E Shipwreck,Israel: construction and reconstruction

The Tantura E shipwreck was discovered in Tantura lagoon, Israel, in a water depth of 2.8 m, covered by 1 m of sand. It was a coaster that plied the Levant coast, dated to the 7th–9th centuries CE. It was recorded under water, but several components were studied on land, as well as the finds. The hull is of frame‐based construction, with flat floor timbers and a sharp turn of the bilge. The archaeological evidence, as well as modern design tools and regulations, suggests that Tantura E was c.12.5 m long, of 25 tonnes displacement, and could load c.17.5 tonnes.     

The deterioration of relations: from support to severance

This article seeks to understand the place of the Russian immigrant community in the larger Israeli culture and to explore how immigrants themselves negotiate their position. One site of such negotiation is the film Paper Snow (2003) created predominantly by Russian-Israeli filmmakers. Their distinct vantage point emerges through the film's casting, genre, style, and language. Paper Snow features such iconic figures of Israeli culture-in-the-making as actress Hanna Rovina and poets Alexander Penn and Avraham Shlonsky, but represents them as part of the Russian intelligentsia. In this way, the film adheres to the familiar story of nation building, but tells it with an accent: by emphasizing the Russianness of the Israeli national past, the film inscribes contemporary Russian immigrants onto the grand narrative of the nation. By revising the official collective memory, Paper Snow produces accented memory.