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1.
Geoffrey Gray 《Oceania; a journal devoted to the study of the native peoples of Australia, New Guinea, and the Islands of the Pacific》1994,64(3):217-245
The primary aim of this paper is to investigate the question why, particularly in the first half of this century, Australian academics were so supine when it came to public criticism of the treatment, conditions and welfare of Australian Aborigines. Its focus is Ralph Piddington and how he was treated by the Australian academic establishment for his public criticism of the treatment of Aborigines at La Grange Bay, North-west Australia. It shows how the Executive Committee of the Australian National Research Council (ANRC), A.P. Elkin, Professor of Anthropology at Sydney University from 1933 to 1956 and chairman, from 1933 to 1955, of the Australian National Research Council's Committee for Anthropological Research, and A.O. Neville, Chief Protector of Aborigines in Western Australia, combined to silence and punish Piddington. The ANRC's criticisms of Piddington were fuelled, above all else, by their concern that his action would create a ‘very uncomfortable atmosphere regarding this Council and anthropological research generally.’ 5 2 Sir George Julius to Raymond Firth, 21 October 1932. 155/4/1/10.
In contrast the Rockefeller Foundation which provided the funding for the ANRC research grants and fellowships took a more lenient view of Piddington's action. It believed from the evidence presented by the ANRC that Piddington had made satisfactory progress toward carrying out the program for which he was given his fellowship and did not believe the charges made against him should impede his fellowship status. 相似文献
In contrast the Rockefeller Foundation which provided the funding for the ANRC research grants and fellowships took a more lenient view of Piddington's action. It believed from the evidence presented by the ANRC that Piddington had made satisfactory progress toward carrying out the program for which he was given his fellowship and did not believe the charges made against him should impede his fellowship status. 相似文献
2.
Noël Gray 《European Legacy》1996,1(7):2113-2118
Questions of Evidence: Proof, Practice, and Persuasion across the Disciplines. Edited by James Chandler, Arnold I. Davidson, and Harry Harootunian (Chicago: University of Chicago Press, 1994) 518pp. $45.00 cloth $19.95 paper.
The Creation of Scientific Effects: Heinrich Hertz and Electric Waves. By Jed Z. Buchwald (Chicago: University of Chicago Press, 1994) 428pp. $32.95 paper $75.00 cloth. 相似文献
3.
This discussion piece addresses two recent debates: entitlement theory and the resilience of rural systems. The authors find that in western Sudan entitlement theory provides a specific and useful framework for understanding the nature of the crisis confronting the society. Arguments about the resilience of rural systems, however, need to be more closely examined and will depend on site-specific factors. The rural economy and society of western Sudan were not found to be resilient. 相似文献
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Virginia Gardner Troy 《Journal of Modern Italian Studies》2015,20(1):24-33
Fortunato Depero (1892–1960) was a Futurist artist who worked in a variety of artistic mediums, from painting and graphic design to furniture and textiles. His work in textiles, created and produced in close collaboration with his wife, Rosetta Amadori, can be considered the most important development in his artistic career, as it comprised a large portion of his creative production. Yet this work has been largely overlooked. Many reasons explain this oversight, including categorizing inconsistencies – for example, his textiles have been described as embroidery, needlework, tapestry, patchwork, and cloth mosaic – and the persistent relegation of textiles to the realm of crafts and domestic arts rather than art, which has meant that his work in textiles has not been a priority for scholars and conservators of Futurism. This paper places Depero's textiles within the context of early-twentieth-century modernist artistic activities, and demonstrates the centrality of his textile work to his artistic oeuvre. 相似文献
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