Reviews of books

Historical Archaeology -     

L'art au temps des fractales

Fractals, as a mathematical concept, made their way into many scientific fields, but have also inspired artistic creations, in particular the plastic arts. The art exhibition «Fractal Time» gives us the opportunity to analyze the link between «art under fractalism» and mathematics. Metamorphoses of the concept, as it goes further its original field, provide us information on the relation between its initial theoretical ground and its additional esthetical meaning. We propose to distinguish, according to a criterion of theorical but non esthetical distance, three ways of derivation for «fractalism»: technical derivation, esthetical actualization and ideological actualization. *** DIRECT SUPPORT *** A01KB003 00010     

The equally “bad” French and English farmers of Quebec: New TFP measures from the 1831 census

New TFP estimates drawn from the neglected census of 1831 for Lower Canada are used to test the controversial (but still dominant) traditional “poor French farmers” explanation for a prolonged economic crisis. The new evidence shows that French-speaking areas were equally as productive as English-speaking areas, something that upturns the established consensus and reinforces the minority viewpoint that culture had little to do with the crisis. Using a broad range of controls, the researchers find that this conclusion is robust and that other variables such as settlement recency, environment, and economic structure were much more significant determinants of TFP. These results warrant the abandonment of the cultural explanation and a shift toward other explanatory channels.     

Causalité Historique et Contemporanéité Relative: De la Relativité Einsteinienne aux Sciences Historiques

The construction of historical frame of reference based on the distinction between and articulation of phenomenological and chronological times. As it relativises the notion of simultaneity and inverts its relation to causality, the special theory of relativity can induce analogous modes of reflection on the themes of “contemporaneity” in the history of art (Panofsky) and in epistemology (Bachelard). This “relativist” method, often misunderstood, sheds light on both historical and presentist methods.