A Relocated Answer to the Question: What is Enlightenment?

The idea that the public needs enlightenment is generally formulated by people who consider themselves in possession of the enlightenment the public supposedly needs. Herein lies the paternalism problem of popular enlightenment. Some seventy years after Immanuel Kant formulated his famous answer to the question What is enlightenment?, a Norwegian philosopher reaches for his pen on a similar errand. The Norwegian context, however, is different, and the reflection takes a different turn. The questions become: What is popular enlightenment? Who is in a position to decide what kind of enlightenment ‘the people’ need and to define what is enlightenment as opposed to darkness? The text takes a closer look at the Norwegian reflections, published as three articles in two newspapers in 1852 and 1855. The newspaper articles are written by the philosopher Marcus Jacob Monrad (1816–1897). He finds support in Kantian insights when reflecting upon how a concrete initiative for the enlightenment of the public, in which he himself participates, should be understood. Monrad addresses the problem of paternalism in popular enlightenment, and he does this by using his reason publicly, which is what is required, according to Kant, in order for man to escape from tutelage.     

Sami Tourism and the Signposting of Spirituality. The Case of Sami Tour: a Spiritual Entrepreneur in the Contemporary Experience Economy

Abstract

The tourism industry provides an important insight into cultural heritage production and marketing. Therefore, it is also important to look at what elements and components are selected to represent a chosen culture in the context of tourism, where some cultural elements are placed at the forefront while others are silenced. There is an increasing tendency to highlight religious symbols and conceptions in the marketing of a tourist destination and many major tourist sites have developed largely as a result of their connections to sacred people, places and events. One of these sites is analysed, namely the location Sápmi as it is marketed on the tourism web portal www.samitour.no, where New Age spirituality in conjunction with local indigenous traditions are highlighted to promote Sápmi as a tourist site. The focus is on the signposting of religious symbols as a resource in a tourism context and the challenges connected with the merger of spiritual and commercial values.