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Timothy K. Perttula 《Journal of Archaeological Research》1996,4(4):295-348
This paper summarizes recent archaeological research efforts, and changing perspectives, about the native history of the Caddo peoples who lived in the Caddoan Archaeological Area, which centers on the Great Bend of the Red River in Oklahoma, Texas, Arkansas, and Louisiana. Of particular focus are the origins and early developments of the Caddoan tradition, regional diversity, subsistence changes and agricultural intensification, sociopolitical dynamics, and Caddoan-European interaction. 相似文献
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Timothy M. 《政策研究杂志》1982,10(3):499-522
During the 1970's several policy analysts developed estimates of the effect of in-kind transfers (e.g., Food Stamps and Medicaid) on poverty. Unfortunately, many of these studies have, drastically overstated the antipoverty impact of in-kind transfers, leading some to claim that there are no mart? poor people in America. This article reviews these, studies, provides new evidence on the impact of in-kind benefits on poverty, and concludes that there is still a substantial poverty problem in America today which need be addressed by policymakers. 相似文献
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Lauren Carroll Harris 《International Journal of Cultural Policy》2018,24(2):236-255
Much recent scholarship has identified an urgent need to address distribution opportunities for Australian cinema in a digital age. In trying to understand why Australian film policy has been beleaguered by complacency for distribution, this paper looks abroad to see what precedents and attitudes exist in distribution-related cultural policy. Why hasn’t support for distribution and exhibition been the touchstone of cultural policy for national cinemas? Why has policy support for the production sector prevailed, when distribution is the film industry’s key zone for profit? This paper surveys international policy examples of what governments are doing beyond the production realm. It examines legal interventions into the distribution realm, including direct state measures such as subsidies, levies, quotas and import restrictions, indirect state aid, and cultural initiatives by film funding bodies that stimulate audience engagement in the distribution and exhibition sectors. The paper combines these primary sources of film policy information with film historians’ accounts to provide a comparative analysis of national film distribution policies. It then examines the politics underlying the various policy frameworks, before mapping out an alternative strategy for the future of policy in Australia that is equipped to deal with the huge changes in digitalisation. 相似文献