Communal Forest Management: The Honduran Resin Tappers

Natural resource tenure and economic feasibility of resource-based activities are two of the most important issues in the current debate around environmental degradation and rural poverty. While many analyses have blamed the ‘tragedy of the commons’ and government mismanagement for environmental destruction, this paper provides a case study of resin tapping in Honduras which formulates the hypotheses that common property regimes can be successful and that economic liberalization policies may be detrimental to community-level resource schemes. Over half of the 6000 farmer-resin tappers in Honduras are organized into forty-six co-operatives that market the tree sap, wood and other forest products. These activities combine the twin goals of community-based forest preservation and income generation. Established legally in 1974, the tapping groups have expanded to include a variety of organizational and technical arrangements. The two co-operatives of Villa Santa and San Juan de Ojojona demonstrate contrasting histories, ecological endowments and economic outcomes. Currently the Honduran resin tappers are facing problems over their access to forest resources, the fluctuating profitability of extractive activities and the stability of the co-operative organization. These three issues are relevant to a variety of community-based environmental activities, and the lessons of the Honduran experience can be applied to analyse the processes of environmental degradation and community response elsewhere in the Third World.     

Godot’s Shakespeare

While the connection between Samuel Beckett’s Waiting for Godot and King Lear has become something of a critical commonplace, references to other Shakespeare plays can also be found throughout. This essay traces Godot’s debt to two plays in particular. First it argues how Godot not only draws on Hamlet’s graveyard scene for macabre imagery, but how it also construes an extended meta-theatrical parody of Hamlet’s soliloquies about the contrast between acting and talking/thinking. The second half of the essay proposes a number of connections with The Tempest, and specifically with its “salvage and deformed slave” Caliban. It argues how the figure of Caliban not merely functions as a model for a colonial power-dynamic that can be seen to operate here and elsewhere in Beckett, but how Caliban is equally significant as a lyrical figure whose great speech about sleeping, waking, and dreaming informs Beckett’s play in a number of ways.     

Women and the history of the neurosciences

Since the closing decades of the nineteenth century, women have been contributing in a significant way to the neurosciences. This article looks at the contributions of some of the leading women pioneers in this field. It also deals with women who have written on the history of the neurosciences and the representation of women in the International Society for the History of the Neurosciences, the largest neuroscience history organization. Trends suggest that books and articles from and about women in the history of the neurosciences will increase markedly in the future.