Classical Biography: An Ancient Literary Art

The contradictory and distorted portrayal of certain female attributes in Pablo Neruda's Veinte poemas de amor y una canción desesperada is an attempt to understand and unveil, from an adolescent's point of view, the mystery of the "beloved." The lack of knowledge about the female explains the ambivalence and insecurity in the representation of the woman, which resolves itself through a strategy of metamorphosis and textual dissection. Nevertheless, to discover and possess these female attributes is an illusion, a mirage created by masculine desire that only succeeds in approaching the beloved through a series of metamorphoses and fragmentation that actually obscures her further. But the effort is not in vain. The desire to understand (and love) makes possible the pursuit of the female who always is the same, although somehow different: the unknown stranger.     

A comparative study of wall paintings at the Cypriot monastery of Christ Antiphonitis: one artist or two?

The central church of the monastery of Christ Antiphonitis near Kalogrea, within the district of Kyrenia in Cyprus, is decorated with wall paintings that date from the last decades of fifteenth century. Two large and elaborate scenes, the Last Judgement and the Root of Jesse, had been preserved in the church until the Turkish invasion (1974) after which they were cut into tetragonal pieces, separated, and sent by looters to Germany for selling at illicit markets. The German Police returned thirty-two of the pieces to the Archbishop Makarios Foundation in Nicosia.     

Some Problems in Friendship as Seen by Saint Augustine

The private sphere is being influenced by fantasies and expectations constructed through cultural commodities. From different perspectives, Jameson and Castells have seen that the growing fusion of economic and cultural spheres of postmodern globalization point not just merely to a geographical expansion, but also to a simultaneous transformation of everyday life. This everyday life is often portrayed by mass media as a permanent representation of the market. This phenomenon pervades recent decades of Spanish society, in which a naturalization of consumerism is tightly linked to a culture of image production. These novels realize a parody of the way the everyday life of individuals affected by the financial crisis is interconnected with the utopian projections of an imaginary connectivity     

From Byzantine to post-Byzantine art: the painting technique of St Stephen's wall paintings at Meteora,Greece

The old katholikon of St Stephen's monastery at the Meteora (site of the most important complex of monasteries in Greece after Mount Athos) is decorated with wall paintings that date from the beginning of 17th century. In terms of style, the artistic ensemble is altogether characteristic of the period. The painting technique has been examined by means of μRaman and μFTIR spectroscopies, gas chromatography–mass spectroscopy (GC/MS), optical microscopy (OM) and scanning electron microscopy (SEM).