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In the Indus Civilization (ca. 2600–1900 BC), a society with no readable texts and few larger-scale representations, terracotta figurines were the most common representations of the human body. This paper explores the unique construction of the material representations of bodies and other material culture from Harappa, a major Indus site now in Pakistan. Hand-modeling representations of human bodies from dual clay pieces, sometimes decorated with bone pigments, suggests a focus on the process and ideological rather than practical choices in the materialization of the Harappan human body. For the Harappans, material matters as they engage physically with their world and embody themselves and their worldview.  相似文献   
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Sharri Plonski 《对极》2018,50(5):1349-1375
In the following article, borders become an epistemology for reading the social and political history of settler geographies, and their particular manifestation in the southern Naqab region of Israel. It takes as its starting point the idea that borders are activated in an assemblage of encounters; and that they act as markers, not only of the power of the settler state to rupture and control indigenous life and mobility, but of the multiple resistances that divert, disrupt and unsettle settler movements and spaces. Based on more than three years of fieldwork with the Unrecognised Bedouin‐Palestinian communities of the Naqab, the article investigates the significance of borders in spaces the state has conceived and structured as empty and dead. In exploring the multiple modes of resistance and resilience that constitute Bedouin struggles for recognition in Israel, it finds relevance in the lines they carve out, and the living spaces that persist and evolve in their shadows.  相似文献   
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