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Abstract

The cold war in East Pakistan was intimately connected with nationalism and nation-building. One of the central aspects of such nation-building was the articulation of a new sense of national territoriality. Technology was central to these attempts to radically reimagine space. This is what I call technospatiality. Material, political and symbolic resources of the cold war were mobilized in the production of these new technospatialities. Popular cold war geopolitics engendered in cultural productions such as the James Bond films were creatively vernacularized to produce new, nationally useful technospatial imaginaries. In this article I look at how Kazi Anwar Hussain’s hugely successful spy-thrillers articulated this new technospatial imaginaries by drawing upon and reworking contemporary technopolitical objects, projects and anxieties.  相似文献   
2.
Abstract

The history of race and technology in British India has avoided engaging with the way in which this played out amongst nationalists. The history of biometrics too has similarly overlooked the role of anti-colonial nationalists. The history of the now-forgotten profiloscope allows us to address both oversights. But the history of the profiloscope is more than just a history of a technological apparatus. It is also the trace of a forgotten political imaginary, viz. biometric nationalism. Biometric nationalism sought to deploy biometrics in developing a dynamically anti-essentialist and non-individualistic conception of nationhood at a time when the nation-form had come to largely monopolize mainstream of anti-colonial political discourse.  相似文献   
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