Reconciling State and Society? The Practice of the Common Good in the Partnership of Bishop David Sheppard and Archbishop Derek Worlock

The dynamic partnership between Anglican Bishop, David Sheppard, and his Roman Catholic counterpart, Derek Worlock, was a significant force in Liverpool during the 1980s, both ecumenically and politically. However, despite their “cult status” within the city, their national and international importance has yet to be explored. The 1981 Toxteth Riots are used as a case study through which to read their exceptional and transformative relationship. This article will discuss how their partnership became emblematic of changing church–state relationships from both Anglican and Roman Catholic perspectives, and how they each, in turn, went on to shape their churches’ dialogue with the government. The article explores the nature of their collaboration and the theological and doctrinal ideas that informed it, before going on to discuss the 1981 Riots in detail. It will demonstrate that the Sheppard–Worlock model of ecumenism put the Gospel, and in particular its focus upon the poor and marginalised, at the heart of their partnership. It will conclude that they sought the Common Good for society and believed that reconciliation was the key to the achievement of this goal.     

Recycled Blessings: An Investigative Case Study of a Rewrapped Egyptian Votive Mummy Using Novel and Established 3D Imaging Techniques

This case study was the first of its kind, where neutron computed tomography (CT) was applied to a wrapped mummified animal. Conventional X‐ray CT was also used to allow for meaningful comparison, and complementary data for a comprehensive investigation. Previous applications of both techniques are limited to metallic objects, such as bronze Buddhas. The mummy used in this study (IA.2402) is dated between the Third Intermediate Period (1069–664 bce ) to Late Period (664–332 bce ) according to the wrapping style, and was originally believed to contain a complete skeleton of a feline. However, precise date and provenance were unknown. Our results prove the presence of only partial juvenile feline remains, and provide a date range for artefact creation (900–804 bce ± 30) and alteration (367–204 bce ± 30). Therefore, this study implements an established imaging technique (neutron CT) in a novel way, while preserving and conserving the intrinsic value of the artefact through non‐destructive investigation.     

Improving Sanitation in the Slums of Mumbai: An Analysis of Human Rights-Based Approaches for NGOs

Human rights-based approaches (HRBAs) can challenge the underlying structures and power relations that perpetuate poverty. They have thus emerged in the development field as a prominent instrument for addressing development issues. Access to clean water and sanitation are now internationally acknowledged as human rights, and have become a stand-alone Sustainable Development Goal of the international community’s commitment to international development. This paper analyses the potential use of HRBAs by local Non-Governmental Organisations (NGOs) working on sanitation issues in slums in Mumbai. It is argued that it is more productive for local NGOs to build (i) partnerships with duty-bearers (in this case the state and the Municipal Corporation of Greater Mumbai) and (ii) the capacity of rights-holders, in particular women, than to rely on litigation strategies to create momentum for change. HRBAs are more useful as a political tool for NGOs for establishing good working relationships with government agencies rather than as a legal instrument, which can be counter-productive to the poverty reduction objectives of NGOs.     

ARREST FOR ATTEMPTED STREET THEATRE

On the eve of the royal wedding, two anthropologists and an actor – members of a street theatre troupe known as ‘The Government of the Dead’– were arrested for conspiracy to stage a performance. We adopt a Bakhtinian perspective of carnival laughter as essential to the scientific investigation of officialdom and ceremonial power.     

Redefining ‘Aid’ in the China–Africa Context

Discussions on the politics of Chinese engagement with African development have been marked by increasing concern over Chinese use of aid in exchange for preferential energy deals. Normative liberal discourse criticizes the Chinese for disbursing ‘rogue aid’ and undermining good governance in the African continent. These criticisms not only ignore the longer‐term motivations and modalities of Chinese aid and the historical diversity of Chinese relations with Africa, but also uncritically assume ‘Western’ aid to be morally ‘superior’ and ‘more effective’ in terms of development outcomes. This paper consists of three parts. First, it will discuss the debates surrounding Chinese engagement in Africa, especially around aid and development issues. Second, the paper maps the historical development of China–Africa engagement and investigates the impacts of the changing modalities of Chinese aid with reference to case studies of two countries: Angola and Ghana. It then offers a comparative analysis of the similarities and differences between these two cases. The principal argument is that Chinese and Western donors employ different ideologies and practices of governance to conceal their own interests and political discourses in the African continent.     

Séances in the City: The “Operational Aesthetic” and “Modern Spiritualism” in the Popular Culture of New York City, 1865–1870

This paper will demonstrate that spiritualism became a significant element of popular culture in New York City between 1865 and 1870 because it catered to the “operational aesthetic” so prevalent in urban entertainments. The historian Neil Harris invented the term “operational aesthetic” to denote the spirit of playful inquiry common to the urban culture of mid-nineteenth-century America. By the 1860s, urbanization had undermined the social transparency so integral to the American Republic, causing cultural anxiety about the fraud and deceit, which was thought to thrive on urban anonymity. Several cultural genres, including detective fiction and urban guides, not only reflected, but also invited the investigation into, the divorce between the “superficialities” of the city and the “processes” driving criminal behavior. Spiritualism featured regularly in these genres, particularly the urban guides, as it was appealing to people eager to uncover another instance of urban deceit. Similarly, spiritualists attracted skeptical and agnostic audiences who shared this interest in investigation. Apparent “exposés” of spiritualism, therefore, as well as the mediums themselves, reached out to skeptical audiences, drawn to the “operational aesthetic” inherent in spiritualist demonstrations.