Moving metals or indigenous mining? Provenancing Scandinavian Bronze Age artefacts by lead isotopes and trace elements

The aim of this study is to further the discussion as to whether copper was extracted locally or imported to Sweden during the Bronze Age or if both of these practices could have coexisted. For this purpose, we have carried out lead isotope and chemical analyses of 33 bronze items, dated between 1600BC and 700BC. Among these are the famous Fröslunda shields and the large scrap hoard from Bräckan and other items from three regions in southern Sweden which are also renowned for their richness in copper ores. It is obvious from a comparison that the element and lead isotope compositions of the studied bronze items diverge greatly from those of spatially associated copper ores. Nor is there any good resemblance with other ores from Scandinavia, and it is concluded that the copper in these items must have been imported from elsewhere. The results furthermore indicate that there are variations in metal supply that are related to chronology, in agreement with other artefacts from Scandinavia as well as from other parts of Europe. Altogether these circumstances open up for a discussion regarding Scandinavia’s role in the maritime networks during the Bronze Age.     

A NARRATIVE TURN: HUMAN AGENCY IN ROCK CARVINGS AT NÄMFORSEN,NORTHERN SWEDEN

The idea to create pictorial narratives seems to have occurred long after humans learned to produce iconic images, that is, depictions based on visual similarity to external objects. In Scandinavia, e.g. in Gärde, Sweden or Stykket and Bøla, Norway, early Mesolithic images (e.g. rock carvings from before c.5000 BCE) often feature animals that are solitary or without suggestion of causal or narrative relations to other figures, although they sometimes are grouped by proximity or are superimposed on each other. Notable is also the almost complete absence of human figures. However, in subsequent Neolithic configurations (after c.5000 BCE), there are renderings of human agents involved in various forms of interaction with each other or with animals, often within distinguishable ‘scenes’ or compositions. In this paper we outline the emergence of pictorial narratives in Scandinavian rock carvings. In particular, we focus on some of the first depictions of human agency as displayed in Nämforsen, Sweden (c.5000–1800 BCE). Further, we present an analysis of occurring human-animal relationships, interpretable as early attempts to create narrativizing images.