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This article addresses the little-known history of Japanese Latin American internment during WWII. Classified as ‘illegal aliens’ and ‘enemy aliens’, 2,264 Japanese Latin Americans were stripped of citizenship from their home countries, denied rights in the United States, and ultimately deprived reconciliation due to their undocumented status. Using the traces of this history as a case study, I explore the strategic memories Japanese Latin Americans create about non-place – spaces of statelessness or states of exception – that allow them to make claims about state violence committed against them under these conditions, and, second, argue that demands for justice against political violence entail not only bringing light to erased histories but also developing engaged acts of reception that account for survivors’ claims to the memories of non-place. Visual testimonies, such as the Denshō Digital Archive and the short documentary Hidden Internment: The Art Shibayama Story (2004), affectively connect a viewer/listener to the memory of trauma, to an inexpressible haunting, and thus are critical platforms for creating a collective memory between survivors and the digital generation of postmemory.  相似文献   
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Wooden snuff trays from San Pedro de Atacama (SPA) in northern Chile are objects of particular museological value. Computed tomography (CT), a non-destructive analytical technique useful in the analysis of archaeological objects in which physical tampering is not desirable, was used to study provenience of wood, quality of craftmanship, taphonomic processes and nature of gemstone inlays in a group of snuff trays. While wood used in the manufacture of trays was mostly exogenous to SPA, gemstones used in inlays were likely of local origin. These findings support the active exchange of goods proposed for the south-central Andes region. Several features revealed in the trays support the view that craftsmen producing them were skillful artisans.  相似文献   
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This paper analyses, from the perspective of cultural policy considerations, the legal regime established by the recent Polish law on the immunity from seizure of cultural property on loan (2015). It deals with current trends of international museum exchange and explains the benefits and risks involved in cross-border loans of cultural material. This analysis is carried out by focusing on the actual practice and experiences of Polish museums, national and international regulations in force, and human rights considerations. The authors attempt to situate the Polish model for the protection of foreign cultural property on loan within the broader comparative context of the domestic legislation on museum exchange adopted in selected national jurisdictions. The article also offers a more general cultural policy discussion in the context of international museum exchanges of cultural material. Laws and policies facilitating such exchanges are weighed against other rights and interests encompassed in the protection of cultural heritage and the realisation of all human rights, including cultural rights.  相似文献   
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Journal of Archaeological Method and Theory - This contribution discusses methods for reconstructing the links of past physical networks, based on archaeological site locations and mathematical...  相似文献   
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This research analyzes emotional adjustments and imbalances experienced by female partners of Chilean mining workers, resulting from interacting demands of work, intimacy, family, and handling money, as well as tensions caused by miners’ prolonged absences and dissimilar schedules, negatively impacting family encounters. The research is circumscribed in northern Chile, in the Region of Antofagasta, epicenter of worldwide copper mining. Through a qualitative design, 36 in-depth interviews were held and a sociodemographic survey of mining workers’ partners. Among the findings are power conflicts derived from the role that workers and female partners have as a couple, in managing money and in emotional aspects, exacerbated by gender constructions of ‘the paid miner’ and ‘female partner’. Female partners express their challenges in managing the family’s economic resources as well as emotional aspects between the partners.  相似文献   
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This article offers panoramic portrait of Mexican politics since the election victory of Andrés Manuel López Obrador’s Morena movement in July 2018. Along its path to overwhelming success, Morena presented a vision of a historic transformation of a thoroughly corrupted Mexican state. Morena’s opponents viewed its emergence with anxiety, as a radical, populist, leftist force. But the new regime has been extremely cautious, affirming existing geopolitical and security commitments and pursuing conservative macroeconomic policies. Working within these constraints, the López Obrador government has largely focused on a moral transformation of the state. The context of Morena’s victory was the ongoing collapse in the Mexican state’s monopoly of force and its historic complicity with criminal and paramilitary violence. The government’s post-election approach has included a public reckoning with state crimes, from 1968 to Ayotzinapa. But its primary strategy has been one of ostentatious political asceticism. Rhetorically, this encompasses ideas of ‘political love’ and ‘republican austerity’; in practical terms, it includes campaigns of public frugality and the performative vulnerability of the president himself. In closing, we analyse the proposed National Guard, arguably the centrepiece of Morena’s putative state transformation, a policy condemned by some as renewed militarisation in the name of utopian republicanism.  相似文献   
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This article continues the discussion on creativity in human geographical research. Drawing on Alain Badiou's writing on “two theatres”, I argue that the theatre–research cooperation as a landscape in motion can bring about creative landscapes. In this article, I discuss a collaborative project of participatory research and theatre that tested drama as a tool for urban planning. In the beginning of the project, theatre appears as a tool of inclusive exclusive politics: the research aims to deal with inter‐cultural relations in a hypothetical planning situation and, further, on theatre's potential to motivate those who usually do not participate in planning. Thus, this initial setting is the first theatre in which the elements of a constellation are seen as static. However, during the process, there were moments of doubt, dealing with the representational politics of multiculturalism. Contrary to Badiou's first theatre, in the second theatre the elements are vivid and capable of breaking the state of a situation. This rupture occurs in the second theatre w hen the spectators feel uncomfortable in their seats, or here when the participatory researcher feel their aims generate an inconvenience. It is in the event that theatre changes from being of the state to saying something about the state. This change represents a rupture in thinking, and brings forth the creative landscape of the theatre–research cooperation.  相似文献   
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