‘A Rather Undefined Social Position and Public Recognition’: Professionalisation,Status and Masculinity in Provincial Museums,c.1870–1930

This article examines the background, careers and self-presentation of the first generation of British museum curators in local government-funded provincial museums, c.1900, to explore the issue of masculinity among the lower-middle classes. It argues that while such men were sometimes mocked for the lack of masculinity they showed in their domestic lives, a focus on their professional lives reveals a different set of problems facing them as they attempted to be manly men; curatorial roles, like others available to the lower-middle classes, involved a dependence on local elites, and required many of the skills and attributes which were being colonised by new women professionals. The study then examines the tactics used, with some success, by such men to assert a professional masculinity, focusing on their identification with their museum, their development of a professional body and their investment in manly physical activities.     

Sapwood estimates in the interpretation of tree-ring dates

Many timber finds lack some or all of the outer, sapwood rings formed in the years just before felling. In order to estimate felling date once the outermost remaining ring has been dated, it is necessary to estimate the number of sapwood rings originally present. Methods doing this for oak are reviewed in the light of an intensive study of living trees at one site and an extensive study of 175 samples from living trees in North Wales and northwest England. Some methods reported in the literature are found to be invalid. A method reported by Hollstein (1965) is most reliable, with modifications for known variations in sapwood number with position in the tree. At present the best available estimate is that a value of 30 sapwood rings be used (95% confidence limits: 19–50).     

The (Pregnant) Mouse Freed from the Gallows: A Ballad Parallel for the Conclusion of Manawydan fab Llŷr

In the concluding episode of the Third Branch of the Mabinogi, the Welsh nobleman Manawydan takes the (pregnant) mouse that he has captured to the magically significant site Gorsedd Arberth and prepares to hang her for theft, according to the law. As he prepares the gallows, various figures attempt to intervene until finally a ‘bishop’ redeems his transformed wife by disenchanting the land, freeing Manawydan’s companions, and swearing not to take vengeance. We argue that this scene is strikingly similar to the famous ballad widely attested all over Europe, ‘The Maid Freed from the Gallows’, a parallel which not only illuminates this episode in the Mabinogi, but also suggests how the Welsh storyteller used traditional material in shaping these narratives.     

An empirical evaluation of copper procurement and distribution: elemental analysis of Scioto Valley Hopewell copper

In prehistoric North America, artifacts of copper occupy a position of prominence in the Hopewell societies of Ohio’s Scioto Valley. These artifacts also represent the social contacts and long-distance interactions that brought copper to the Scioto Valley. Yet, our understanding of Hopewell copper acquisition, and the movement of copper artifacts within the social networks of the Scioto Valley and beyond, has been limited due to the limited availability of geochemical data concerning provenance and variability. We begin to develop the foundation for understanding these important social issues by analyzing the elemental variability of Hopewell copper through the use of laser ablation inductively coupled plasma mass spectrometry. We analyze 24 samples from four known copper source regions and 52 samples from 6 prominent sites in the Scioto Valley. Results suggest that a majority of the artifacts are consistent with sources in the Great Lakes, with a plurality classified as Isle Royale. However, 21% of Scioto Hopewell copper artifacts were most consistent with southern Appalachian sources. High elemental variability argues against simple models of copper acquisition and suggests that different social groups had access to a variety of copper sources through varying social networks. Native copper regardless of source seems to have been channeled along similar social and symbolic pathways. Our results suggest that instead of being derived from the struggle to access a specific source, value is derived from the social relationships represented by the copper and the connotation of exotic connection embodied in both style and material.