STATE INTERVENTION IN LANDSCAPE PRODUCTION: THE WHEATLAND RIOT AND THE CALIFORNIA COMMISSION OF IMMIGRATION AND HOUSING*

The role of the state in landscape production has been little theorized in geography. In this paper, I examine the role played by state institutions in determining landscape morphology by focusing on the activities of the California Commission of Immigration and Housing as it attempted to mitigate the conditions that led to the violent Wheatland “riot” of 1913. This rebellion by radicalized migratory workers was central to the creation of the abundant agricultural landscape of California in the years before the United States entered World War I. By telling the story of Wheatland and the state responses it induced, I hope to move discussions of landscape geography beyond both traditional concerns with landscape as a reflection of “culture” and contemporary concerns with metaphors of landscape as text.     

Sapwood estimates in the interpretation of tree-ring dates

Many timber finds lack some or all of the outer, sapwood rings formed in the years just before felling. In order to estimate felling date once the outermost remaining ring has been dated, it is necessary to estimate the number of sapwood rings originally present. Methods doing this for oak are reviewed in the light of an intensive study of living trees at one site and an extensive study of 175 samples from living trees in North Wales and northwest England. Some methods reported in the literature are found to be invalid. A method reported by Hollstein (1965) is most reliable, with modifications for known variations in sapwood number with position in the tree. At present the best available estimate is that a value of 30 sapwood rings be used (95% confidence limits: 19–50).     

An iconographic exploration of the “rattlesnake” gorgets of eastern Tennessee

ABSTRACT

Compared to other gorget styles and themes made during the Mississippian period, the so-called rattlesnake gorgets of eastern Tennessee have been found in fairly large numbers. Stylistically, Muller assigned these gorgets to the temporally related Lick Creek and Citico styles, while Crawford’s recent work has argued for substyles within. While their style has been studied extensively, the idea that these gorgets depict rattlesnakes generally has been accepted without further consideration. In this paper, we present the results of a systematic iconographic study of rattlesnake gorgets. Ultimately, we conclude that the image’s original referent is not just a snake but instead is intended to be a model of the cosmos at night.