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Pascale Richardin Nathalie Gandolfo Pauline Carminati Philippe Walter 《Archaeological and Anthropological Sciences》2011,3(4):379-384
The protocol of preparation of keratinized samples (e.g. hair, furs …) for radiocarbon dating that we have developed is based on the selective extraction of keratin from the bulk part of the shaft (cortex). The aim of this method is to eliminate the cuticle which could contain exogenous carbon from external contaminations. The total treatment takes place as follows: a washing/dry cleaning, a soft treatment with diluted acidic and basic solutions (acid/alkali/acid method) similar to the protocol used for vegetal samples, extraction of keratin by reduction using dithiothreitol and precipitation with sodium deoxycholate and trichloroacetic acid. This method was applied on a hair sample from an Andean mummy, conserved in the collections of the Anthropology Laboratory of the National Museum of Natural History (Musée de l’Homme) in Paris, France. The results of two runs reveal that the mummy is dated to a period between the eleventh century and the first half of the twelfth century. It therefore belongs to the Late Intermediate period (900–1450?ad). The combination of historical research, the study of the body by computed tomography and the analysis of mineral deposits on the surface of the body provides clues to identify the geographical origin of the mummy. These investigations led to determine that the mummy comes from the region of Tarapacá in Chile and belongs to the cultural complex Pica-Tarapacá. 相似文献
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Philipp v. Grumbkow Sören Frommer Lisette M. Kootker Gareth R. Davies Janine Mazanec Susanne Hummel 《Journal of archaeological science》2013
Excavation in and around a Medieval church in Gammertingen, Germany, revealed the skeletal remains of eight individuals dating to the 10th and 11th century AD. Archaeologists hypothesized that the individuals were the first members of a family later known as the Counts of Gammertingen, a medieval high nobility family. In an interdisciplinary approach, Strontium isotope and ancient DNA techniques were performed in order to test the hypothesis that the church was used as a family burial site and to investigate the provenance of family members. Seven of the eight individuals can be placed in a three-generation genealogy. The isotope analyses establish that the eighth individual had a different birthplace and possibly became a member of the Counts of Gammertingen through marriage. Further, genetic data revealed that distant relatives of the paternal lineage are still present in this area today. Thus, the combined results lead to a very detailed knowledge about a 1000-year old noble family. 相似文献
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Daniel Sabbagh Cécile Nicco Didier Leit Alain Tallon Laurent Bourquin François Laplanche Monique Cottret Pascal Dubourg Glatigny Jacques Proust Gabrielle Radica Nicolas Piqué Norbert Waszek Pascale Busson-Martello Julie Saada-Gendron 《Revue de synthèse / Centre international de synthèse》2005,126(1):178-231
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Pascale Girard 《Revue de synthèse / Centre international de synthèse》1999,120(2-3):482-485
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Pascale Feuillée-Kendall 《Modern & Contemporary France》2013,21(3):381-384
Over 50 years have passed since the 17 October 1961 massacre and, though the event has gained wider recognition, it still occupies a tenuous place in French history. Scholars have turned to fictional literary and filmic representations of the massacre that have appeared since the 1980s, but have largely overlooked its commemoration in music. In this essay, the author analyses two works: French rapper Médine's song ‘17 octobre’ (2006), which reimagines the massacre from the perspective of a witness who dies, and an Internet montage video (2008) which sets Médine's song to archival and non-archival video clips. Both the song and montage highlight the limits of official historical discourse through a variety of practices, including manipulating perspective, sampling and putting 17 October into dialogue with other obscured histories. The historical and historiographical work these texts accomplish illustrates the potential of such media to construct a postmemorial archive that blurs boundaries between archive and fiction, creative works and history. 相似文献
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Tony Chafer Sarah Blowen Ian Pickup Hélène Stafford Ceri Crossley Pascale Feuillée‐Kendall 《Modern & Contemporary France》2013,21(4):567-569
AGERON, C.‐R. and MICHEL, M. (eds), L'Ere des décolonisations, Karthala, 1996, 516 pp., 170F., ISBN 2 86537 579 X BRIAN, E. and DEMEULENAERE‐DOUYERE, C. (eds), Histoire et mémoire de l'Académie des sciences. Guide de Recherches, TEC & DOC Lavoisier, 1996, 449 pp., no price indicated, ISBN 2 7430 0148 CORRÉARD, M.‐H. (ed.), The Pocket Oxford‐Hachette French Dictionary, Oxford University Press, 1996, 784 pp., £7.99, ISBN 0 19 864534 1 CORRÉARD, M.‐H. and O'NEILL, M. (eds), Oxford Starter Dictionary, Oxford University Press, 1997, 400 pp., £6.99, ISBN 0 19 864527 9 DURAND, P., Poésies de Stéphane Mallarmé, Gallimard, 1998, 252 pp., 54F., ISBN 2 07 038939 1 (collection ‘Folio') HAFEN, L. (ed.), French Fur Traders and Voyageurs in the American West, (Selected with an Introduction by Janet Lecompte) University of Nebraska Press, 1997, 333 pp., £13.95, ISBN 0 8032 7302 9 SOULEZ‐LARIVIÈRE,, D. Grand Soir pour la justice, Seuil, 1997, 175 pp., 110F., ISBN 2 02 032215 3 STEINBERG, P., Chroniques d'ailleurs, Ramsay, 1996, 190 pp., 92F., ISBN 2 84114 133 0 相似文献