The Embers of Hiroshima: From Author to Subject in a Transnational Oral History Collaboration

This paper examines an international oral history collaborationinvolving the "translation" of the American book, Atomic Fragments:A Daughter's Questions, by Mary Palevsky, into the Japanesedocumentary film, Memories of the Trinity Bomb, directed byYoshihiko Muraki. The author utilized oral history and personalnarrative to chronicle her inquiry into the legacy of the atomicbomb in the lives of its creators. Japanese scholar, KayokoYoshida, translated Palevsky's summary of Atomic Fragments intoJapanese for Muraki, working with the filmmaker throughout theprocess. For the film, the author conducted interviews withManhattan Project scientists and was interviewed in sites ofpersonal and historical significance. This paper explores themethodological challenges underlying three essential featuresof this transnational project: the transformation of audience,from American to Japanese; the transformation of medium, frombook to film; the transformation of identity,from researcherand author of a book to subject of a film.