Assessing the effects of geomorphological processes on archaeological densities: a GIS case study on Zakynthos Island,Greece

While geomorphological processes are considered key factors in the distribution of archaeological surface finds, few studies have attempted to quantify the relationship between artefact dispersal and erosional/depositional patterns. This paper compares Unit Stream Power Erosion Deposition model (USPED) and Revised Universal Soil Loss Equation (RUSLE) and integrates the results in the archaeological finds’ density map of Zakynthos Archaeological Project. The study area (Palaiokastro), with artefacts dated from middle Paleolithic to medieval times, includes a steep terrain with a surrounding plain area, where the downslope erosion has considerably modified the distribution of archaeological remains. Through this study, it is possible to identify relationships between high artefact densities and stable/non-eroded surfaces, and on the other hand, low densities and eroded surfaces. However, the results indicate a degree of spatial variability, which modifies the predicted relationship. The consideration of the effects of these temporal and spatial patterns is crucial for developing effective sampling methods and accurately interpreting the archaeological record.     

Conceptualizing Greek cultural policy: the non‐democratization of public culture

This paper concentrates on several of the most significant moments of Greek cultural policy since World War II, together with its key concepts. It traces the cultural policy of the country, its main changes and its relationship with politics through a socio‐cultural analysis and a look at the political and cultural events which occurred. The concepts of national identity, hegemony, civilizing mission, democratization, and cultural democracy are applicable in this framework. Despite various attempts at reforms, the country's cultural policy could be characterized as ‘path dependent’; it connected unwaveringly to its two main objectives: heritage and the arts.