TEXTS AND TRADITIONS IN CHINESE AND COMPARATIVE PHILOSOPHY

This article considers Quentin Skinner's critique and methodology in his seminal essay “Meaning and Understanding in the History of Ideas” vis-à-vis the current methodological debates in Chinese and comparative philosophy. It surveys the different ways in which philosophers who work with ancient Chinese texts in those related fields deal with the tension between textual contexts and autonomy and how some of the errors criticized by Skinner under the mythology of coherence, mythology of doctrines, mythology of parochialism, and mythology of prolepsis might apply to those fields. It argues that Skinner's insistence that understanding a text requires recovering its author's intended meaning by studying its linguistic context has limited application to Chinese and comparative philosophy because those fields’ most important texts are not best understood as means of communication by specific historical authors with intended messages to convey to readers. These texts are instead the means by which Chinese traditions perpetuate their respective beliefs and practices. Instead of being circumscribed by authorial intent, the meanings of traditional texts are dynamic and co-created in the process of producing, reproducing, and consuming texts as well as in the evolution of practices that also constitute each tradition. The meanings received by the audience are never exactly what authors or transmitters intended but have been transformed by each audience's own concerns and interests, even if the audience attempts to grasp what the former intended. Using the Five Classics and the Analects as examples, this article illustrates how such texts’ purposes to teach and perpetuate the practices that constitute a way of life determine their meanings. Understanding is not merely cognitive but practical as well. The meanings of such texts are not static but dynamic as traditions evolve. The debates about methods of reading and interpreting ancient Chinese texts are also debates about the nature of Chinese traditions and struggles over their futures.     

抗战时期国民政府的交通立法与交通管理

抗战时期,为保证大后方交通建设的顺利进行,提高交通运输效率,保障交通安全和畅通,国民政府制定了大量交通法规,涉及到交通人事、业务、工务和财务方面,也包含了国民政府在这些方面的具体管理内容,这些法规形成了比较完整系统的交通法规体系。大量交通法规的颁布,体现了国民政府在交通管理上的一些特点,包括实行交通统制、军需优先、提倡节约和地方协作等特点,但由于在实际的交通管理中存在交通机构变动频繁、运价过低、管理人员腐败和执法不严等问题,国民政府颁布的交通法规并没有达到预期的效果。     

The Potential of e-Learning to Address the Needs of Out-of-School Youth in the Philippines

This paper reports on the findings of focus group discussions designed to explore the learning and skills-based needs of out-of-school youth in the Philippines, particularly addressing their reasons for leaving school, their current activities and employment, how they acquire skills and knowledge, what they want to learn about, their use of Information and Communication Technologies, and their future employment plans. It was undertaken in the context of the development of a programme of e-learning through ICT Centres to be delivered in support of the country's 5 million out-of-school youth.     

从张家山汉简《具律》看汉初“爵论”制度

爵位是汉代法律量刑时的一个重要标准,爵位的有无与高低决定着刑罚的减免与否。本从张家山汉墓竹简《具律》篇中有关内容出发,结合其它出土竹简及相关史料来讨论汉初“爵论”制度在法律规定及司法实践中的表现,并通过与秦律作比较来探讨其变化与根源。     

马士及其中国近代对外关系史研究

马士是西方公认的汉学先驱之一。在中国海关任职长达30余年的时间里,撰写了一系列有关中国问题的著作,它们对20世纪前半期西方的中国历史学著作产生了深刻的影响。他的许多有关中国近代对外关系的著作,不仅开启了国外中国近代史研究的先声,为国外中国近代史研究奠定了坚实的基础,而且拓宽了西方汉学的研究领域,对西方现代汉学的发展起了重要的推逐作用。     

南宋临安节日活动的时空结构研究

在城市地理学研究中,由于缺乏有关历史城市物理空间的基础性研究工作及受研究资料所限等原因,关于历史时期的城市居民生活空间方面的研究较少开展。本文选择南宋时期的临安作为城市空间研究对象,在全面梳理相关历史文献记载的基础上,尝试结合目前应用最广泛的功能分区法和时间地理学两种方法,对南宋临安节日活动空间进行剖析,揭示其城市节日活动的时空间结构特征。同时,文章还探讨了城市社会空间的形成机制,提出物理空间奠定了临安节日活动空间的基本格局、都城地位是临安节日活动空间形成的控制因素、城市经济主导了临安节日活动的空间分异过程等结论。     

左江流域合理农业结构的探讨

农业系统是一个开放的复杂大系统。系统的功能决定于系统的结构,合理的农业结构应该是充分合理利用农业自然资源和社会经济资源,因地制宜发挥地区的优势,使农业生态效益与经济效益相结合,构成良性循环,达到低投入,高效益,持续稳定增产的目的。本文根据农业系统的开放性、复杂性和层次性,利用系统工程中的结构分解--协调法计算出南宁地区左江流域六县(市)最优的农业结构,即合理的农业结构。为该地区制定经济发展规划提供科学依据。     

黑龙江省凤林古城出土铁器的实验研究

本文通过对黑龙江省友谊县凤林古城出土铁器进行了金相组织观察和夹杂物成分分析,认为该遗址出土的铁器材质为生铁系制钢产品,采用了铸造、退火、炒钢、淬火等工艺,本文为深入研究魏晋时期东北亚地区钢铁技术提供新的科学材料。     

试论宋代的市民文艺和商业

宋化繁荣昌盛,是华夏化的顶峰之一,本试图从宋代的市民艺的出现及其与商业两的关系中,剖析宋化兴盛的原因。     

维摩经变所体现的中国艺术精神的嬗变

维摩诘经变是佛教美术中普遍而又独特的题材,对中国文化思想乃至艺术精神都产生了深刻影响。本文从审美的角度结合石窟、造像碑及壁画中有关考古材料,对我国维摩经变从西秦到宋代的嬗变过程进行系统的研究,反映出不同历史时期审美意识、审美理想对维摩诘经变的影响,充分挖掘该经变中所体现的中国艺术精神的丰厚内涵,从而揭示出中国古典美学的发展规律。