En tiempos del condestable Dávalos: Enrique de Aragón,poeta quejoso en Crónica. Año de 1420, de Jerónimo de la Escosura

Infants of Aragon are very important figures in the history and literature of the nineteenth century, but it is rare that one of them, Don Enrique, is the protagonist. This work analyzes the romantic story Cronica. Año de 1420, published by Jerónimo de la Escosura in 1839. In it, Enrique de Aragón is a cunning courtier and a poet in love, and he manages to change history because he changes the story with his verses.     

A gender analysis of everyday mobility in urban and rural territories: from challenges to sustainability

Gender differences in mobility patterns between women and men have long been acknowledged. This study analyses how these differences are reproduced in different urban and rural contexts. Using mobility data from a large travel survey taken in 2006 in Spain, we examine the differences between gender mobility through age, modal split and trip purposes. Special attention is paid to how territory shapes mobility and how these territorial settings differently affect gendered mobilities. The use of this data source allows the comparison of all trips made by the total population, including all means of transport. By taking a global view on mobility, the uneven relationships that men and women have with different means of transport become more visible. After disaggregating data by age and territorial settings, results show that women are using sustainable transport modes more often than men, and travelling for more diverse reasons. Gender is thus a fundamental variable in understanding modal split and, by extension, transport sustainability, in terms of energy consumption and the emission of greenhouse gases. From this point of view, we consider women's mobility knowledge and practices – typically related to the most sustainable means of transport – as factors with rising value that could effectively guide public policy in its way to promote more sustainable mobility patterns.     

El purgatorio de un dictador: Crisis,memoria y narrativas iconoclastas

ABSTRACT

In the autumn of 2005, the museum of Vilafranca del Penedès (Catalonia, Spain) programmed a cycle of cultural events in order to commemorate the thirtieth anniversary of Francisco Franco's death. Among them, the performative one-piece exhibition Listen, Franco! The Purgatory for a Dictator showed a bronze sculpted bust of the dictator (belonging to the museum collection) and invited citizens to freely participate and “tell to him” all they would have liked to say if they had had the opportunity to. The unusual shape of the event and the high level of participation made the exhibition become a media success. However, a last-day surprising performance experience—as a result of which the bust was “vandalized” or, should I better say, “re-signified”—became a source of reflection about the boundaries between preservation and transmission of cultural heritage, as well as about museums as places for collective elaboration of public memory. This case appears as a catalyzer of a cultural crisis that exploded after 2008, and a prefiguration a new exhibition around another sculpture of the dictator, which took place in Barcelona in 2016.     

Can Archaeozoology and Taphonomy contribute to knowledge of the feeding habits of the Iberian wolf?

The feeding behaviour of the Iberian wolf (Canis lupus signatus) has usually been studied using traditional methods, such as the analysis of scats or stomach contents of dead individuals. Such studies usually analyze the hair: mainly feathers and occasionally a few bones. In the present work, a study of skeletal remains found in current wolf scats from 7 natural areas on the Iberian Peninsula is presented. Methods of archaeozoological and taphonomic research are applied in the study of this sample. Data concerning the type of prey-species, the body size, MNI, age groups and skeletal representation of prey consumed and defecated are provided. In addition, some data relating to the physical and biochemical modifications produced by consumption and digestion are provided. This type of study is suitable for the analysis of the current faecal remains in order to complement other studies on the feeding habits of the Iberian wolf where traditional methods are used. However, some considerations must be taken into account in future studies.     

Was it the deer or the fox?

Herbivores, as taphonomic agents, can modify and consume bones and antlers for no nutritive purpose. This unusual behavior is due to a nutritional dysfunction (osteophagia) that allows them to supplement a lack of minerals in their diet through ingestion of minerals contained in bones. When chewing, herbivores change skeletal element morphology and produce a characteristic forked shape. At an incipient stage of modification, herbivore chewing may mimic that of carnivores. In this paper, we provide diagnostic criteria to distinguish bone modification made by herbivores from that produced by other taphonomic agents, mainly carnivores.     

THE MEANING OF CULTURAL FESTIVALS

Cultural festivals and events are increasingly becoming arenas of discourse enabling people to express their views on wider cultural, social and political issues. Often the debates polarise into those advocating change and those wishing to preserve “traditional” or “local” culture in the face of modernisation and globalisation. This article analyses the discourse on cultural festivals from the perspective of stakeholders involved in traditional and popular culture events in Catalunya. There is generally a high level of agreement about the aims of cultural events and the cultural content that is appropriate for them. In particular, the importance of cultural events in underpinning Catalan identity is seen as being important. However, stakeholders tend to differ more in the meanings attached to concepts such as identity, with policy makers exhibiting a greater emphasis on economic and political issues, whereas cultural producers are more concerned with social aspects of identity. However, the general consensus on the social role of cultural events between the different stakeholders may be one explanation for the relatively vibrant festival culture in Catalunya.     

Sacrament and Oath: A Theological-Political Displacement

This article pays attention to the historical displacement of the meaning of the word sacramentum at the moment in which theological reflection appropriates the civil meaning. By addressing this historical displacement, the present article reflects not only on the theological-political character of oaths, but also on the complex inventive character of political theology. In fact, that kind of appropriation involves multiple transferences of meanings from one realm to another – the political and the religious, what is constitutive of the theological-political approach. Attempting to grasp the topic, this article first examines the Biblical meanings of oath, covenant and sacrament; second, it looks at the meaning of sacramentum in the classical Roman tradition; and, finally, it recovers the meaning of sacrament in Tertullian, who is primarily responsible for the coinage of the term for theological reflection.     

Feeding the Community: Women’s Participation in Communal Celebrations,Western Sicily (Eighth–Sixth Centuries BC)

In the study of the Sicilian Iron Age, most of the works devoted to their main communal ritual spaces—the so-called “acropolis”—have stuck mainly to describe both their architectures and those artifacts registered in them. However, in the realization of this practice, those objects traditionally considered as imported or exceptional have been emphasized. The return of this selective practice is that other artifacts could not be considered as extraordinary, but being also present in these spaces and, therefore, with a certain role in these celebrations, they have long been dismissed and undervalued. This is the case of all those objects that are directly related to the domestic sphere and, particularly, with those activities usually associated with the women’s world, such as cooking pots or loom weights. The invisibility of these objects relative to the domestic sphere and, above all, to the feminine sphere has led to validate and perpetuate a biased glaze over these ceremonies where only male elite actors could participate. In response to these androcentric and classist discourses, the main aim of this paper is to recover the agency of certain women in the development of these communal celebrations and to show their importance in the construction and representation of a sense of community that was created constantly through these ceremonies through the study of these long-forgotten household objects.