Book reviews

Mysticism and Dissent, Socioreligious Thought in Qajar Iran. By Mangol Bayat. Syracuse: Syracuse University Press, 1982. xvii + 228 pp.

Roots of Revolution. By Nikki Keddie. New Haven: Yale University Press, 1981. xii + 321 pp.

Islamic Values and Worldview: Khomeini on Man, the State and International Politics. By Farhang Rajaee. Lanham, MD: University Press of America, 1983. 148 pp. + notes.     

Metallurgical study on some Sasanian silver coins in Sistan Museum

Elemental analyses and microstructural studies of historical metal artifacts provide researchers with invaluable and priceless information about metal extraction technology and the procedure of creating artifacts. In addition, the information is helpful for knowing about the metallurgical processes of the artifacts. This study was conducted by a microscopic examination and elemental analyses of seven Sasanian silver coins preserved in the Sistan Anthropology Museum, Iran. For the purpose of this study, three methods were employed: first, the proton induced X-ray emission microanalysis (micro-PIXE), to determine the main and trace elements of the coins; second, scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDS), to perform elemental analysis to identify impurities of the metal; and third, microstructural analysis of the coins which was carried out with an optical microscope (OM). The elemental analyses identified Ca, Cu, Ag, Au, and Pb in the coins. The high quantity of Ag in samples validated the application of advanced and accurate cupellation technology for refining silver and separating impurities from raw ore. The gold concentration in the coins indicated the use of non-galena ore for silver extraction. Additionally, the microstructural analyses of samples pointed to the application of thermo-mechanical processes on coins.     

The Persian Presence in Nineteenth-Century English Poetry: A Taxonomy

This study employs keyword searches of literary databases such as Literature Online (LION) in an attempt to map the image of “Persia” in nineteenth-century English poetry as it was molded by a proliferation of thoughts and ideas in a variety of contexts. Completeness is not possible, of course, but the article aims to identify and explore some of the major categories within which the image of Persia was formed and disseminated in the nineteenth-century. The scope of the study is not confined to a corpus of poetic works that were written specifically on or about “Persia,” but takes account of a broader range of poems, and attends to the structure, texture and variations of the presence of “Persia” in nineteenth-century English poetry.     

Processes of Formation and Alteration of Archaeological Fire Structures: Complexity Viewed in the Light of Experimental Approaches

The aim of this article is to present an experimental approach for studying the formation and transformation processes of archaeological fire structures. We present a synthetic review of our experimental project, which was developed in many different natural archaeological contexts. We report the results and problems associated with experimental fires lit on different kinds of soils and in different environments, followed by the observation of natural and anthropic transformations. Finally, we analyse the nature and significance of these results for the archaeological interpretation process, while describing some general trends and showing the complexity of the approach.     

Issues and Paradoxes in the Development of Iranian National Cinema: An Overview

Contemporary Iranian cinema has enjoyed wide success on the international scene—winning awards at film festivals, receiving praise by critics, and being screened in many countries around the world. But this success has another side to it: at home in Iran, the movie theater attendance is in decline and a range of players, including individuals, policymakers and government entities continue to meddle in shaping its future. Throughout the twentieth century and during the two decades of post-revolutionary successes abroad, Iranian cinema developed its own unique style and aesthetic. A cinema which was sometimes nurtured and financially encouraged by the government, yet at other times censored or banned by it. This paper provides a brief survey of the history of Iranian cinema since the 1900s in order to reveal the paradoxical issues both propelling and bedeviling its development and the role of principal actors involved in fashioning an Iranian national cinema.