Hunter-Gatherer Mobility Strategies in the High Andes of Northern Chile during the Late Pleistocene-Early Holocene Transition (ca. 11,500–9500 CAL B.P.)

The high Andes of western South America feature extreme ecological conditions that impose important physiological constraints on humans including high-elevation hypoxia and cold stress. This leads to questions regarding how these environments were colonized by the first waves of humans that reached them during the late Pleistocene. Based on previous research, and aided by human behavioral ecology principles, we assess hunter-gatherer behavioral strategies in the Andean highlands during the late Pleistocene and early Holocene. Specifically, we formulate three mobility strategies and their archaeological expectations and test these using technological and subsistence evidence from the six earliest well-dated highland sites in northern Chile. Our results suggest that all of the studied sites were temporarily occupied for hunting, processing animals, and toolkit maintenance. The sites also exhibit shared technological features within a curatorial strategy albeit with different occupation intensities. From this evidence, we infer that the initial occupations of the highlands were logistical and probably facilitated by increased local resource availability during a period of environmental amelioration.     

¿Qué sabemos del Cantar de Fernán González?

The Poem or Book of Fernán González was probably written c. 1250 by a monk of San Pedro de Arlanza (Burgos, Castile) to strengthen the legendary foundation of his monastery by the tenth-century Castilian Count, Fernán González, and to promote his tomb cult there. The Arlanza poet was competing with the benefits that Santiago and San Millán de la Cogolla were trying to get on legendary accounts of the champion of the independence of the County of Castile from the Kingdom of León. It is clear that this is a work of monastic propaganda, designed to attract pilgrims and donations; therefore perhaps a better title for it would be Poem of the Foundation of San Pedro de Arlanza. The Arlanza poet was fond of the popular and orally transmitted Romance epics (Hispanic and Carolingian songs). He knew Siete infantes de Salas, the tradition of the Youthful Deeds of Rodrigo (Gesta de las Mocedades de Rodrigo), the anti-Carolingian song(s) of Bernardo del Carpio, and the Roncesvals Matière. We also suspect that the poet was recasting a now-lost epic cantar de gesta of Fernán González. This cantar was probably also known by Gonzalo de Berceo, who was actively working in San Millán de la Cogolla, a few years earlier, trying to attract pilgrims and donations. In this article, I try to analyze how much we know of the lost Cantar de Fernán González and if the Monastery of Sahagún (León) also reappropriated it for its own propaganda.     

Khao Sam Kaeo – an archaeometallurgical crossroads for trans-asiatic technological traditions

Recent archaeological investigations at Khao Sam Kaeo, on the Upper Thai-Malay Peninsula, have furnished evidence for a mid/late 1st millennium BCE cultural exchange network stretching from the Indian subcontinent to Taiwan. Typological, compositional and technological study of Khao Sam Kaeo's copper-base artefacts has identified three distinct copper-alloy metallurgical traditions, with reasonable analogies in South Asian, Vietnamese, and Western Han material culture. Furthermore, analyses of technical ceramic and slag suggest that Khao Sam Kaeo metalworkers may have been using a cassiterite cementation process to produce high-tin bronze ingots for export or onsite casting/forging. Not only would this industry constitute the earliest evidence for the exploitation of Peninsula tin resources, but we also offer a speculative argument for the source of Khao Sam Kaeo's copper-base production technology.     

An Osteological Study of Trophy Heads: Unveiling the Headhunting Practice in Borneo

Taking, modifying and displaying human body parts as trophies have been observed in several human groups since prehistoric times. Although there are many skeletal collections that present evidence for this practice, the existence of both skeletal material and written records referring to the same group is quite rare. Nevertheless, this is a case of 112 human skeletal remains collected by Charles Hose in Borneo in the late 19th century, which represents a unique opportunity to understand the vanished headhunting tradition and warfare practice in this area, as well as to compare the written records with the bioarchaeological evidence. Although Hose claims that all individuals collected by him were beheaded, our study shows that only 50.5% of the studied material show clear osteological signs of decapitation. Other practices which were part of the ritual of headhunting described by Hose could be observed, like widening of foramen magnum, burning of skulls, mandible tied to the cranium with a strip of rattan or cotton, as well as drilled perforations to suspend skulls in longhouses. Adult females and non‐adults comprised more than one third of the total number where sex and age could be determined, showing that males were not the sole targets for trophy heads. Overall, this study on the trophy skulls from Borneo is valuable as it combines and compares ethnographic accounts and osteological data to provide us with a broader scenario of a vanished practice. It draws attention to some aspects that should be taken into account when working exclusively with either written records or skeletal materials, as both present limitations. Copyright © 2011 John Wiley & Sons, Ltd.     

Epitomising the Modern Spanish Nation through Popular Music: Coplas from La Caramba to Concha Piquer, 1750–1990

Music is an important language of the emotions and can often arouse strong passions in its performance and representation, both from the individual's perspective of personal identity and for the individual's sense of identity and of belonging to a given community. Likewise, music can serve to whip up and reinforce nationalism and national chauvinism against the ‘other’ as well as serving as a badge of identity. In this article I explore a musical form, a song that has been defined as ‘Spanish’ and as the ‘national’ song: la copla. Copla is rooted in the past and first appeared as both a poetic and a theatrical form, but always accompanied by music. It was, however, during the eighteenth century, when nationalism made its appearance as a ‘concern’ in the Spanish political‐cultural arena, when coplas would be used as a mark of Spanish identity. Copla is a women's song. Although it has been interpreted by men, some of them internationally renowned like Miguel de Molina, the most famous performers have been and still are women. That is why perhaps a recurrent theme of coplas is unrequited love, whereby love and passion play an important role, either with regard to the individual or the community from which the individual hails. But there are also other themes such as the longing stimulated by alien rule, which is reflected by cultural opposition and resistance to discourses of power, not only in terms of open opposition, but in a more subtle form of resistance, particularly in gender terms. I claim that it is precisely this resistance to fixed discourses of gender that have made coplas excellent negotiators with the different musical, social and political contexts and in this way have made them an icon of the invented tradition that is fundamental in the creation of a nation.     

Reconstruction of the Rib Vaults of the Hypostyle Hall in the Maniace Castle of Siracusa After the 1693 Earthquake

Built in the first half of the 13th century on behalf of the Emperor Frederick II, the Maniace Castle of Siracusa focuses its enigma in the hypostyle hall (which was composed of 25 quadripartite rib vaults) and the design criteria adopted for its implementation. Recent research and a careful rereading of the documentary “restoration project” after the earthquake of 1693 have offered new tools to understand the construction techniques and building procedures for the entire organism. It has been possible to demonstrate that the different material (white limestone and volcanic stone) used for the vaults is, in fact, a product of reconstruction. The constructive node, which historiography has taken for granted, is now crucial—the documentary evidence of the restoration after the earthquake compared with the materials found in situ provide interpretive keys to decode genesis and procedures of the huge structure built five centuries before.     

A RESIDENTIAL ENERGY MARKET MODEL: AN ECONOMETRIC ANALYSIS*

This paper develops a multisector residential energy policy model. This model hypothesizes that household energy behavior is affected by conditions in the housing, the mortgage finance, and the energy markets. The relationships encompassed by the model are specified with 32 single and simultaneous equations and tested with quarterly data drawn from behavior in Delaware. After the testing and evaluation of the model for its statistical performance, thereafter, three energy policies are simulated a 5 percent residential energy consumption tax, a set of conventional insulation requirements for all new housing, and a passive solar-installation requirement for all new housing. These policy choices are evaluated in terms of their impact on energy consumption, prices, demand and size of different types of housing permits, and mortgage financing. Finally, the economic and social implications of these policy impacts are discussed.     

Morphometric analysis and detection of invisible archaeological elements by spectral treatment of digital images

The aim of this paper is to describe the creation of a method to apply digital image treatment, consisting of a combination of filters and algorhythms, to prehistoric rock carvings, to enhance the information obtained from them. In the experimental phase a study was made of a laboratory piece and two highly valuable pieces of cave art from the Tamanart Valley in Morocco and the Casares Cave in Guadalajara, Spain. The results clearly demonstrate the potential of the proposed digital methodas information was obtained that could not have been achieved by the traditional techniques.     

The Construction of the Myth of Survival

A myth has come into being that the poor household/family is able to survive in spite of a lack of resources and the presence of macroeconomic policies that foster unemployment and poverty. It has an accompanying fable that tells of how the poor manage to implement survival strategies that are based on their endless capacity to work, to consume less and to be part of mutual help networks. This myth has become a useful tool for policy makers as they design more aggressive neoliberal economic adjustment policies. This contribution examines anthropological and sociological insights regarding the life of the poor and the organization of their households, in which women's paid and unpaid work is an integral part. Through the lens of a researcher in the field of urban poverty and household organization, the article re‐examines the fable of the good survivor. Evidence debunks the myth, showing that the optimistic message of this fable does not match with the realities of the impact of economic change on women's lives. But the myth is sustained, as this more negative story is not one that supra‐national policy actors want to hear.