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Merav Amir 《对极》2023,55(5):1496-1516
Israeli plans to partially annex West Bank territory have mainly been perceived as frustrating the two-state solution, and as putting Palestine/Israel on a path leading to the one-state alternative. This paper analyses partial annexation plans without assuming that the future of Palestine/Israel would necessarily abide by either statist resolution. It argues that by ostensibly distancing Israel's hold of the West Bank from an identifiable configuration of a belligerent occupation, partial annexation is offered to Jewish Israelis as a path for detaching the futurity of the two nations, and as a trajectory for normalising the Israeli state, without having to make what much of this public would see as painful concessions. It further explores settlers’ objections to such plans, claiming that even a partial incorporation of West Bank territory into formal Israel is expected to erode the exclusivity of Jewish domination which Israel has been upholding in its settler-colonial frontier.  相似文献   
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Marketing, news reports, and reviews of Bose QuietComfort noise-canceling headphones position them as essential gear for the mobile rational actor of the neoliberal market—the business traveler. This article concerns noise-canceling headphones’ utility as soundscaping devices, which render a sense of personal space by mediating sound. The airplane and airport are paradoxical spaces in which the pursuit of freedom impedes its own enjoyment. Rather than fight the discomforts of air travel as a systemic problem, travelers use the tactic of soundscaping to suppress the perceived presence of others. Attention to soundscaping enables the scholar to explore relationships between media, space, freedom, otherness, and selfhood in an era characterized by neoliberalism and increased mobility. Air travel is a moment in which people with diverse backgrounds, beliefs, and bodies crowd together in unusually close proximity. Noise is the sound of individualism and difference in conflict. Noise is othered sound, and like any type of othering, the perception of noise is socially constructed and situated in hierarchies of race, class, age, and gender. The normative QuietComfort user in media representations is white, male, rational, monied, and mobile; women, children, and “chatty” passengers are cast as noisemakers. Moreover, in putting on noise-canceling headphones, diverse selves put on the historically Western subjectivity that has been built into their technology, one that suppresses the noise of difference in favor of the smooth circulation of people, information, and commodities.  相似文献   
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