The colors of the Fontana di Trevi: an analytical approach

During the last restoration of the Fontana di Trevi -Rome (2014–2015), it has been performed a diagnostic investigation to characterize the materials used to build and obtain the colors of the surfaces of some architectural elements of this fountain. According to the restoration teamwork needs, we focussed our efforts on the dome over the central statue of Oceanus, on the bas-relieves on the sides of the dome, and on the cliff where the water flows. Several samples were collected from these elements and therefore, they were subjected to an analytical approach including infrared spectroscopy, optical and scanning electron microscopy. The achieved results indicated the use of red earth pigments on the dome. The same pigment has been revealed on the bas-relieves, although their colors have an additional contribution due to degraded layers. Samples taken from the cliff showed a complex stratigraphy, although a white scialbo has been identified as original layer, testifying the intentions of the authors in term of color rendering. This information was essential for the restores in order to choose the proper intervention procedure for each investigated surface. The research testified the importance of an integrated diagnostic analysis to preserve the original colours of monuments and building.     

Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.     

Multiproxy approach to the study of Medieval food habits in Tuscany (central Italy)

A multiproxy approach based on archaeobotanical, organic residue and isotopic analyses was carried out on materials from 12 Medieval archaeological sites in Tuscany (central Italy), in order to provide a diachronic overview of local diet in rural and urban sites from the mid-eighth to the fourteenth centuries AD. Archaeobotanical analyses were applied to 130,578 seeds/fruits, residue analyses involved 87 samples from cooking and storing vessels, whereas analyses of carbon and nitrogen stable isotopes included 63 human bone samples and 26 animal specimens. The results indicate that from the mid-eighth century AD, crop production was of high quality similar, to that of the Roman Age. The main cultivations were naked wheats, barley and horse bean, a diversity that attests the technological skills reached by Tuscan peasants during the whole Middle Ages. Different cereals and pulse abundantly supplemented the diet. This strategy not only ensured peasants’ subsistence in the mid-eighth century AD, minimizing the risks of environmental adversities, but it also increased crop production – from the mid-ninth century AD on, for the revived markets and trade. Between the eleventh and fourteenth centuries AD, C4 plants had a dominant role in the peasants’ diet, when the wheat production was strictly collected first by the landlords and then by the cities for their own needs. Crop production was integrated by swine farming; animal meat consumption is well documented in rural and urban populations from the ninth century AD. Wine and olive oil, considered important elements of diet in Medieval Tuscany, have a very scarce presence, but they are recorded for later periods, mainly in urban areas and in higher social classes, such as the religious and aristocratic ones. In fact, only between the twelfth and thirteenth centuries AD was the great expansion of olive groves and vineyards recorded, when cities and urban populations claim to have access to these luxury foods.     

Age of the final Middle Palaeolithic and Uluzzian levels at Fumane Cave,Northern Italy,using C,ESR, U/Th and thermoluminescence methods

This article presents and discusses the chronological layout of the final Mousterian and Uluzzian levels of Fumane Cave in northern Italy using ¹⁴C, ESR and TL methods. Given its complex sedimentary and cultural succession, Fumane is a key site to assess the Middle–Upper Palaeolithic transition in Southern Europe and to explore Neanderthal behaviour and to compare it with the first Aurignacians. Large ranges defined by the ESR and TL dates cover the radiocarbon ages for units from A11 to A4, respectively, from 42.8 to 32.5 ka BP become progressively younger in agreement with the stratigraphy, despite high dispersions within the same unit. Our estimates using chronometric data seem to support the hypothesis that the sequence may cover almost 10,000 radiocarbon yr and that from comparison with the sedimentological and palaeoecological data, the late Middle Palaeolithic and the early Upper Palaeolithic at Fumane occur in sediments formed under moderately cool to mild climatic conditions correlated to the Hengelo-Interstadial, shifting towards cooler and drier conditions. Finally, comparisons between the Fumane data set and other sites in the North-Adriatic region are discussed.     

Molecular markers for the discrimination of Triticum turgidum L. subsp. dicoccum (Schrank ex Schübl.) Thell. and Triticum timopheevii (Zhuk.) Zhuk. subsp. timopheevii

The persistent uncertainty on the classification of the “new” glume wheat found in Neolithic and Bronze Age sites from Greece and other European settlements might be resolved only through analysis of its ancient DNA. Tools able to discriminate among different Triticum species on the basis of scarce, very damaged DNA, are therefore essential. While current attempts concentrate on DNA fragments sequencing and comparison, in some instances PCR-based selective amplification techniques might offer a cheaper and quicker alternative. The purpose of this research was therefore the identification of species-specific primers, able to distinguish caryopses of Triticum timopheevii subsp. timopheevii from those of Triticum turgidum subsp. dicoccum. Primers and their working conditions were defined and optimized using DNA from modern accessions. The ribosomal primers ITS1 tim and ITS2 tim, and the nuclear primer acetyl-coenzyme A tim clearly discriminated the sequences of Triticum timopheevii from other species. Finally, Neolithic charred wheat grains found in the sites of Sammardenchia (Pozzuolo del Friuli, Udine) and La Marmotta (Lago di Bracciano, Roma), belonging to the “new” wheat type or to emmer, were tested with the three selected primers. However, the results were not conclusive, because the samples analysed were apparently too degraded to yield useful DNA.     

The marbles of two early Christian churches at Latrun (Cyrenaica,Libya)

The provenance of twenty-seven architectural marbles from the two 6th century AD Christian churches of Latrun (Cyrenaica, Libya) has been established by discriminant function analysis of twelve isotopic, EPR and petrographic/morphological variables. Sixteen samples (59%) originate from Proconnesos, while 8 samples (30%) are assigned to the calcitic quarries of Thasos and 1 to the Docimium quarries near Afyon. The last two samples are of uncertain provenance and might be Proconnesian as well. These results demonstrate that the suggestion made long ago by Ward-Perkins that the presence on non-Proconnesian, possibly Thasian, marbles at Latrun was well founded. Particularly interesting is the strong correlation found between provenance and type of the architectural element sampled. Thasian marbles at Latrun were used exclusively for the manufacture of chancel screens. Seven out of nine screens sampled have this provenance, suggesting that the use of different materials is related to issues of work organisation and specialisation in different marble production centres.     

The Baptistry of Saint John in Florence: The Scientific Dating of the Timber Structure of the Dome

The construction of the Baptistry of Saint John has a debated and uncertain history; the hypothesis on its main construction phases may span from the Roman period to the 13th century, according to different authors. This uncertainty is mainly due to the lack of primary sources and certain dating issues. By combining dendrochronological analysis and radiocarbon dating, some light was shed on the building’s history. Open at least from 897, in 1059 Pope Nicholas II re-consecrated the baptistry after several renovations. Around that period, the octagonal dome was probably built by using chestnut beams to tie the structure together. The dendrochronological analysis dated the silver fir element to 1268. This element possibly represents a replacement coincident with the period, between 1270 and 1300, when a substantial part of the mosaics of the dome was positioned.     

A dendrochronological investigation of stringed instruments from the collection of the Cherubini Conservatory in Florence,Italy

A total of forty-nine stringed instruments of the Conservatory Cherubini collection, at the Musical Instruments Department of the Accademia Gallery in Florence, were submitted to a dendrochronological investigation in order to date them, check the validity of their attribution and to find out more about their construction characteristics. Thirty-seven instruments were successfully dated, thereby determining the terminus post quem date of manufacture. The correlation values of the statistical cross-dating tests were generally very high. The dendrochronological analyses determined which instruments had been made from wood of the same provenance and, in some cases, from the same tree trunk. The mean chronology built from the musical instrument series, named “Accademia Master Chronology”, is 558 years long and dates from 1396 to 1953AD. The interval between the youngest ring dated dendrochronologically and the given date of manufacture increased constantly in the course of the centuries, from a mean value of just over eleven years for instruments built in the eighteenth century, to nearly 74 years in the twentieth century, when the use of old wood from other artefacts became more frequent. Furthermore, in the Cherubini Collection, the average tree rings on violins are smaller than those of other stringed instruments; in fact, they increase in proportion to instrument size and are widest in cello and double bass.     

Characterisation of archaeological mortars from Pompeii (Campania,Italy) and identification of construction phases by compositional data analysis

This work describes the compositional characterisation of coccciopesto and natural pozzolanic mortars sampled in the Regio VI area of the archaeological site of Pompeii, with particular reference to the Casa di Pansa in Insula 6 and Casa 17 in Insula 2. Samples were studied by optical microscopy and analysed by XRF, SEM-EDS, LA-ICP-MS and XRPD. The XRF and SEM-EDS data, subjected to multivariate analysis (cluster analysis), identified the three main construction phases involved in building the Casa di Pansa. In addition, mineralogical and petrographic characteristics of the aggregate were determined and found to be compatible with pyroclastic deposits from the volcano Vesuvius. Study revealed C–S–H phases in the binder, due to pozzolanic hydration phemomena of hydrated lime with cocciopesto and natural pozzalana.