The Last Episode of an Iranian Teacher’s Bag: Children’s Lives as the Smaller Copies of their Parents’ in Contemporary Iran

How can the desired culture of a dictatorial system be transmitted from one generation to another? The focus of dictators on children could be an answer. Factually in such a system, children are located in a value system which teaches them what to do or what not to do in purpose of being good for the political system since the very beginning of their lives. In Iran, the traditional educational system teaches children to act as adults; people who are able to discern which action is bad and which is good. The exceptions are usually the ones who deconstruct the cultural/political structure and begin to resist based on their agencies. In the present paper, we argue the process of education (formal and informal) in Iran based on two sets of material cultural remains. The first is the Qajar (nineteenth- and early twentieth-century photos of children) and the second is the school compositions of 19 students found in the bag of a teacher who died in the devastating earthquake of Bam in 2003, in South Eastern Iran. The bag was found during a contemporary archaeological project.     

“The Painter in Two Frames”: An Archaeological Investigation of Kamal-ol Molk’s Agency in the Field of Art and Politics

An agent’s actions in different fields and its changes can leave material traces. Therefore, archaeology in its broadest methodological meaning surveys material culture and seeks to investigate an agent’s action in a process. Our archaeological excavation in Neshat Garden led to the discovery of material traces of lifestyle changes of a well-known agent from the late Qajar/early Pahlavi era. Mohammad-e Qafari, nicknamed Kamal-ol Molk, was a famous painter of the Qajar court. He left the court in middle age and entered politics as an agent of opposition. Kamal’s journey to Europe was a turning point that extended to the end of his life. At the same time, Iran’s sociopolitical context experienced significant evolution, including the Mashroute Movement and the rise of Pahlavi dynasty to power. Such mutations made Kamal-ol Molk abandon/change his activities in the field of art, sponsored by the power structure, to engage in political activity. His exile/compulsory migration to a faraway village in northeastern Iran is the outcome of his political activities. The present research is based on archaeological surveys and excavations in two sites: Kamal-ol Molk’s house and Neshat Garden. The archaeological investigation of Kamal’s life in context, his paintings, letters, and photos as a long-term process reveals an artist who was also political. His agency in politics was so effective that in order for the “holy honorable party” to survive, he sometimes ordered assassinations.     

The Rise and Fall of a Partnership: The British Council and the Islamic Republic of Iran (2001–09)

This paper examines a partnership between the British Council and the government of the Islamic Republic of Iran (IRI) that emerged in March 2001 as a result of their shared aspiration for collaboration in scientific, academic and cultural arena. The alliance came as a surprise because after twenty-three years of antagonism on the part of the government of the IRI, the hostile attitudes were put aside virtually overnight to reunite with an old adversary for a mutual collaboration. The present qualitative study examines the reasons behind the start of the partnership, the domains within which the British Council was permitted to operate in Iran, and the reasons behind the end of the partnership. The data were gathered from various sources, including field-notes, policy documents analysis, personal interviews, and various online sources. The findings reveal that the duration of the partnership was closely intertwined with the rise and fall of the reformist administration, under President Mohammad Khatami (1997–2005). The partnership began mainly due to efforts made by the reformist administration to take the IRI out of its international isolation and thus became inactive not long after the reformist administration, and eventually came to an end in January 2009, under the presidency of Mahmoud Ahmadinejad.     

Men at home,men and home in two Anglophone novels by Indian women writers

Postcolonial Indian women novelists writing in English have been deeply concerned with addressing the ways in which ‘home’ in patriarchal societies is an ambiguous space, characterized by unequal gender relationships that make it a terrain rife with violence, and feelings of alienation and discontent for women. Through the lens of two contemporary Anglophone novels by Indian women writers, Arundhati Roy’s (1997) The God of Small Things and Manju Kapur’s (2006) Home, this article evaluates the significance of the relationship between male identities, politics and domestic spaces in India. Focusing primarily on two bourgeois male characters, Estha and Vicky, the article examines, in depth, their painful coming-of-age in terms of the complex intersection of gender, class and age hierarchies in the domestic arena and demonstrates the centrality of the concept of home to their sense of self and space.     

Simplification and Assessment of Modal-Based Story Damage Index for Reinforced Concrete Frames Subjected to Seismic Excitations

Different relations have been represented for the local damage index of structures to date, while the same application is defined for them as can be an indicator of relative sustained damage by the components or stories. Since different force-resisting systems subjected to the ground motions can behave differently, some well-known story damage indices are evaluated for the reinforced concrete frames with regards to their operation during nonlinear time history analysis. Two general concepts of story damage determination are selected for this purpose. SDI is a modal-based story damage index, which is calculated by the modal frequency and mode shapes. The behavior of this local index is evaluated during the seismic excitations. The results were compared with Park-Ang and modal flexibility story damage indices. Based on analytical study on seismic responses of some RC frames subjected to a suit of earthquake records a new story damage index has been developed. It has been derived from a simple global damage equation (softening index) using a normalized ratio of inelastic story shear to its drift. A procedure is recommended to use the proposed equation without any requirement to perform nonlinear dynamic analysis, which can significantly reduce the computational efforts. Distribution of the new represented SDI along the structural height shows a good agreement with damaged state of the RC frames after seismic excitations.     

A Report on a Party and the Guests

“People of protest,” it may be the best name for the men encountering the dictatorship of Qajar dynasty and Reza Shah—The first king of Pahlavi Dynasty (1921–1939) in Iran— the men who paid an expensive price for being protesters: being vanished in the history. In the summer of 2011, we conducted excavation at Neshat Garden and at the house of Kamal ol Molk—the famous painter of Qajarid Iran— two sites dating from the previous century. The interviews indicated the Garden was used for the parties in which numerous guests were invited, but the finds of the archeological investigation represent also a hidden function for the site as well. Studying the agency of garden owners, local villagers and Kamal as well as the remained letters and documents showed the possibility of presence of a political opposition group in the region in 1920s. This essay sheds more light on a process in which the Iranian intellectuals have had to change their ironic protests to armed opposition in 1920s–1940s. Though, the excavation at Neshat Garden offers an illustration of this process of transformation of the nature of political opposition.     

Portraits in the Background of “Nothingness” Sheikh Jabber Burnt House, an Object of Persian Gulf War

War is a common heritage of Middle East, the experience of war was changed to a dramatic propaganda in Iran while the southern neighbor of Iran experienced it in another way: oblivion. In such a context, both states attempt to change the facts of the war, one to a process of sanctification and one to the portraits of nothingness. We, as archaeologists, were accidentally encountered with a heritage of Persian Gulf War during a contemporary archaeology project. Our curiosity made us to take a look at Jabber house, a forgotten building, a domestic architecture destroyed by a racket during the war. What was recorded in our frames was actually an artistic work, out of its original context. Our subjectivity as archaeologists made us to think about the other objects fossilized in museums, they are out of their painful context and structure, they are only beautiful, the portraits in the background of nothingness, in a burnt gallery. Persian Gulf War is treated in Kuwait as a negative heritage, what is discussed in this article as the main theme??a negative heritage lost its original context and meaning: Sheikh Jabber house.     

Navigating the housing crisis: A comparison of international students and other newcomers in a mid-sized Canadian city

This article investigates the housing experiences of international students in comparison to other newcomers in the mid-sized Canadian city of St. John's, Newfoundland and Labrador, with a focus on how they navigate housing crises. Drawing on recent literature on housing justice, a quantitative survey of 188 participants, and 30 qualitative interviews, the findings reveal that international students and other newcomers are at different stages of their housing careers, have different needs and goals, and are experiencing the affordability crisis differently. Housing discrimination is a pressing concern, especially for international students who are subjected to intersectional prejudice, exploitation by landlords, and amplified challenges due to the COVID-19 pandemic. The article argues for inclusive housing and immigration policies that acknowledge international students as part of the Canadian housing market and ensure their rights to housing.     

Siyāvoš as a Vegetation Deity

Because of annual communal lamentations dedicated to Siyāvo?, he is considered to be a unique character among heroes of the ?āhnāmeh. The elements of the rituals revolving around Siyāvo? are compatible to those of vegetation deities in some other religions. Of particular interest is the cycle of birth-death-rebirth of vegetation deity that takes place according to a specific sequence of events. In the present article, the author attempts to trace conformities and nonconformities in the Siyāvo? tale as described in the ?āhnāmeh and correlates them with the life-death-rebirth cycle of vegetation deity.