Recent Excavation and Recording at the New Neolithic Rock Art Site of Vallée Aux Noirs,Buthiers (Seine‐et‐Marne,France)

Following the exceptional discovery of Neolithic engravings on a boulder at Vallée aux Noirs in the Fontainebleau forest, south of Paris, an excavation trench was opened in order to access the buried part of the decorated rock panel and explore the stratigraphic context of the artwork. A palaeosol was found two metres below the modern ground level, underneath multiple layers of sterile sandy soil forming a very compact sequence from which only one archaeological artefact was recovered – an Iron Age fibula (c.200–300 BC). Dating of the palaeosol was attempted through two different methods: AMS dates from charcoal suggest a significant span from the Early Bronze Age to the Iron Age, while two more consistent OSL dates point to formation of the palaeosol during the Late Neolithic (3500–3000 cal BC). The entire engraved rock surface (16 m²), including its buried part, was fully recorded. Four main semiotic groups were identified: a typical fifth‐millennium crook‐hafted axe with a ring, two boats with steering oars, and a central, very tall human figure dominating the composition from its 3.5‐metre height.     

La spatialité originaire du corps propre

The phenomenological tradition stands opposed to contemp orary cognitive science in this, that so far from being a mere thing in the physical world, a thing whose mind would contain some mental representation, the lived body is constituted in its sense of being for the subject by being used and actively appropriated by this self-same subject, as agent. Though not already generally acknowledged, there are important similarities between this conception and one, which emerges from the literature of brain cartography over the last twenty years, that of a functional morphogenetic neurodynamics, induced and modulated by experience in a relatively autonomous way, in relation both to the anatomic structures of the body, as well as the cytoarchitectonic frontiers of brain tissue. Taking advantage of the latter similarities, neuroscientific data can be employed to confirm the Husserlian theory of constitution against the attempts on the part of cognitive science to discredit it, and this whether we are talking about its later modification at the hands of Merleau-Ponty or the original version, which is that of a subjective (transcendental) auto-constitution of the lived body on the basis of the practico-kinoesthetic experience of «I move my body».     

Rousseau intimiste et la fusion des cultures?

Rousseau est certainement un des écrivains français qui interroge le plus car la multiplicité de son oeuvre reflète une ambiguïté. C'est en effet l'homme du discours logique et de la rêverie, de l'oeuvre philosophique, politique, lyrique et intime: un long itinéraire ‘de la marche de la raison au tragique de la recherche d'un salut individuel’.¹ Ce qui nous intéresse ici, c'est l'aspect intime, c'est Rousseau intimiste dans son rapport avec la culture ou les cultures; sa démarche et son interrogation sur le monde sont au coeur de sa vie.