First Insights into the Technique Used for Heat Treatment of Chert at the Solutrean Site of Laugerie‐Haute,France

The earliest evidence of flint and chert heat treatment was found in the ~21.5–17 ka old European Solutrean culture. The appearance of pyrotechnology as part of the production of stone tools has important implications for our understanding of Upper Palaeolithic technological evolution and the specific adaptations during the last glacial maximum in Europe. However, the techniques and procedures used to heat‐treat rocks during the Solutrean remain poorly understood. No direct archaeological evidence has so far been found and the most promising approach is to understand these techniques by determining the parameters with which flint and chert were heated at that time. In this study, we investigate the heating temperature of 44 heat‐treated laurel‐leaf points from Laugerie‐Haute, using a non‐destructive technique based on infrared spectroscopy. Our results document that most of the artefacts were heated to a narrow interval of temperatures between 250 °C and 300 °C. This indicates a standardized technique that allowed to created similar conditions during successive heating cycles. The implications of these results for our understanding of the technical complexity during the Solutrean must be discussed in the light of different heating techniques used at different places and periods.     

A (Digital) Future for Saharan Rock Art?

First visited by westerners in the mid-nineteenth century, Saharan rock art has since received a great deal of attention. The richness and diversity of this region is recognised by the inclusion on the UNESCO World Heritage list of three properties: Tassili-n-Ajjer in Algeria, Tadrart Acacus in Libya, and Ennedi in Chad. The situation in many North African countries now makes this vast region very difficult to access: safety in the field is not guaranteed and few research funds are available. Today, a new generation of African and foreign scientists has no access to rock art sites in the north of the continent and the lack of fieldwork may entail a lack of safeguard and awareness. The growth of digital technologies over the last 15 years has revolutionised methods for recording rock art sites. Digital technologies are also used to mitigate the gap between artworks and accessibility in those countries where turmoil and social instability make fieldwork impossible. However, much of the documentation and most digital recordings of artworks currently available on the Internet lack an archaeological context. Equally, many of these websites barely mention methodological and theoretical aspects. It is also difficult to understand the extent of awareness among local communities in remote areas—sometimes suffering a digital and linguistic divide—and if (and how) they are genuinely able to exploit these digital resources. Here, I collate some examples from different parts of the Sahara illustrating that the recording, management and dissemination of rock art still present highs and lows. I argue that we should share theories and methods within the digital scientific community, with a view to adopting a shared nomenclature and a public thesaurus, making our cataloguing criteria explicit and, finally, developing an ethical code of conduct involving local communities.     

Vedic pāthas

Ohne Zusammenfassung     

Dating and provenance of glass artefacts excavated from the ancient city of Tall Zirā‛a,Jordan

Fourteen glass objects recovered from excavations at the ancient city of Tall Zirā‛a, Jordan, were analysed using laser ablation inductively coupled plasma mass spectrometry (LA-ICP-MS) to determine the period and origin of manufacture. The composition of glasses manufactured in the Late Bronze Age (LBA) and Iron Age are distinctly different, therefore major element analysis can be used to distinguish between the groups relatively easily. The LA-ICP-MS analysis provided quantitative trace element data which were used to determine the provenance of those glasses identified as LBA. This research discusses the implications of the presence of both Egyptian and Mesopotamian LBA glasses and examines the varying compositions and colour strategies employed in both the LBA and Iron Age objects. Specifically, glass in the LBA was considered to be one of the highest status items attainable, playing an instrumental role in diplomatic gift-giving. When considered with the archaeological information, the significance of these finds at Tall Zirā‛a indicates that this city was a settlement of high status, not primarily a convenient trading stop on the Transjordan route.     

Quelques repéres historiques sur la théorie des jeux

Résumé  L'article s'attache à dégager le fil rouge qui relie les réflexions de Wilhelm Gottfried Leibniz sur les jeux de société à la théorie des jeux, telle qu'on la trouve dans l'ouvrage de John Von Neumann et Oskar Morgenstern. L'itinéraire décrit passe par les travaux de plusieurs mathématiciens du XVIII^e siècle sur différents jeux de hasard, pour aboutir aux recherches de quelques-uns des fondateurs des mathématiques modernes, comme Ernst Zermelo pour la théorie des ensembles et émile Borel pour la théorie des probabilités. II montre comment une analyse mathématique des jeux de société a débouché sur l'élaboration d'une grille générale d'analyse des phénomènes sociaux. Son cheminement révèle, en outre, la longue parenthèse du XIX^e siècle où ce programme s'est trouvé abandonné et esquisse, en conclusion, quelques hypothèses pour l'expliquer. The paper strives to find the clue which links Leibniz' thoughts on parlour games to the mathematical theory of games in John Von Neumann and Oskar Morgenstern.Magna opera the way goes through the works of several XVIII^th century mathematicians on various games of chance to reach the research of some of the modern mathematics founders, as Ernst Zermelo for the sets theory and émile Borel for the theory of probabilities. The paper shows how a mathematical analysis of parlour games ends at a general framework to study the social phenomena. Its development also reveals how this research program has disappeared, all along the XIX^th century, and suggests, in conclusion, some tentative explanations of this development. Une version préliminaire de cet article a été publiée dans la revue de l'Association historique des élèves du lycée Henri IV,Jeu et histoire, n^o spéc.:L'émoi de l'histoire, 25–26, printempsautomne 2002, p. 94–115.