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In 1520, two queens consort, Catherine of Aragon and Claude of France, attended the event now known as the Field of Cloth of Gold. This article analyses representations of their involvement across three sources; contemporary diplomatic correspondence and two later sources, Edward Hall's Chronicle (1548 and 1550) and the Hampton Court Palace painting of the Field (c. 1545). It examines how the producers of these sources shaped the function of the consort according to their own motivations, genre and the context of their own time. It argues that each source acknowledges the consorts as important to the event's success, but that while contemporary letters represent Catherine and Claude as individuals, the later sources exhibit shifting narratives to focus on the trope of ideal queenship. A similar shift was not apparent for kingship. This comparison of contemporary and later depictions of the consorts reveals a gendered reshaping of their role at the Field across time according to the needs of the creators which, in turn, sheds light on understandings of queenship and diplomatic engagement in early modern England.  相似文献   
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Alex M. Nading  Josh Fisher 《对极》2018,50(4):997-1015
While scholars frequently frame conflicts over urban waste in terms of a politics of infrastructure, this article frames such conflicts in terms of a politics of organization. In 2008, self‐employed recyclers in and around Managua, Nicaragua blockaded local dumps in an effort to secure rights to scavenge for resellable material. Over the course of this “garbage crisis”, a material and semiotic entanglement of human labor organization with animal ecology became politically salient. At different points, recyclers were compared to ants (hormigas), vultures (zopilotes), and scorpions (alacranes). State officials, NGOs, and recyclers themselves used these animal metaphors to describe the organization of waste collection. Drawing on theories of value from political ecology and economic anthropology, as well as analysis of the deployment of these “organic” metaphors, we outline an “organizational politics” of urban waste.  相似文献   
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Our blind tests are distinctive for they were conducted on replicated stone tools used for a variety of tasks that included the processing of animal remains and plants. The analyst was required to differentiate an array of residues from microscopic morphological characteristics, using light microscopy. The original aim of our first tests was to assess the analyst's ability to identify a variety of plant and animal residues, but issues and problems that arose during the testing process made it clear that greater value might be gained from the lessons that we learnt about methodology and the direction for future micro-residue research. We show that problems identified during our first tests stimulated research. Amongst other things, we learnt to distinguish plant and animal remains more confidently than previously. Our residue analyses are firmly embedded in wider archaeological research and our tests help to explain why there are sometimes contradictions between the evidence from archaeologically recovered remains and residues on stone tools. A further outcome of the tests is that we have adopted a multi-stranded approach that provides a cautious, but secure strategy for identifying and interpreting use-residues. Our studies of contaminants through replications have also been invaluable for distinguishing incidental residues from use-related residues.  相似文献   
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Mauermanshoek Shelter, in the Korannaberg of the eastern Free State, has traditional San hunter–gatherer rock art together with white finger-painted horsemen of uncertain authorship. The excavated material dates to between 3500 bp and approximately 200 bp. The lithic assemblages show little change throughout, but ceramics, glass beads, and domesticated animal remains appear in the uppermost levels. The issue of most interest is that of the shelter's occupancy in the last few hundred years. Historical records show that the ethnic composition of the eastern Free State was complex during this time and that there were both aggressive and cooperative interactions between the various groups. Kora pastoralists were notorious stock raiders and the secure identification of other people on the landscape was complicated by a tendency for early writers to call all raiders Kora. A combination of archaeological and historical evidence suggests that San occupied the shelter for most of its history but that Kora herders may have been responsible for the finger-painted horsemen somewhere between 1837 and 1851 when a Wesleyan Mission Station, Merumetsu, served the Kora of Korannaberg.La grotte de Mauermanshoek, située dans le Korannaberg, à l'est de la province du Free State, contient des peintres rupestres de tradition San, réalisées par des chasseurs/bergers, ainsi que des cavaliers blancs, peint avec le doigt, d'une origine incertaine. Le matériel qu'on a trouvé dans les fouilles daté d'une période entre 3500 bp et approximativement 200 bp. L'industrie lithique est très homogène sur l'ensemble du site, mais des céramiques, des perles de verre et des restes d'animaux domestiques sont présents aux niveaux supérieurs. L'occupation de l'abri pendant les quelques centaines d'années passées est d'un inérêt tout particulier. Selon les archives historiques, la composition ethnique de la partie est du Free State était, à l'époque, complexe et il y avait les interactions à la fois agressifs et coopératifs entre les groupes différents. Les pasteurs Kora sont bien connus pour leur réputation d'attaquer les troupeaux mais l'identification certaine des autres peuplades est compliquée par le fait que les premiers écrivains rapportaient tous les aggresseurs comme des Kora. Une combinaison d'indices archeologiques et historiques suggère que les San occupèrent cette grotte pour la plus grande partie de son histoire mais que des bergers Kora pourraient être à l'origine des cavaliers peints avec le doigt, probablement entre 1837–1851, la période durant laquelle une mission Wesleyan servait le Kora de la région du Korannaberg.  相似文献   
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This article examines the experience of Muslim female students in high schools in Bali. Since the religion of the majority of the population of Bali is Balinese Hinduism, these young women are part of a Muslim minority – unusual in Indonesia. Data were obtained through interviews and ethnographic fieldwork conducted in 2010. Interviewees were mainly Muslim students, but teachers and Muslim parents were also consulted. Some of the students are a minority within a state senior high school, and some attend a private Islamic school in Denpasar. Interviewees identified choice of school and the wearing of the jilbab (Islamic head-scarf) as issues for them in their everyday lives. The Islamic school is (mis-)perceived as a morally safe environment by parents. The state school does not allow the wearing of the jilbab, showing the limits of multiculturalism in Bali. While the jilbab should express piety and morality, there is some hypocrisy among some young jilbab-wearing women. Some young women have internalised the Balinese objection to poor Muslim immigrants, and feel inferior when they wear the jilbab. The data suggest that their female sex/gender flags their unequal Muslim-minority status in ways that Muslim-minority men do not experience.  相似文献   
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