Imperial reproductions: The circulation of colonial images across popular genres and media in the 1920s and 1930s

The Fascist phase of the Italian colonial experience was characterized by the diffusion of colonial discourses and imagery across Italian culture. Significantly, it was frequent for the same people to produce texts belonging to diverse genres, often cutting across different media and irrespective of distinctions between elite and popular audiences. Concentrating on representations of the East African territories which were eventually to constitute the Africa Orientale Italiana (AOI) , the article analyses the way in which a selected number of images of the colonies spread across different genres and media, arguing in favour of an interdisciplinary approach to colonial processes of representation. Textual and visual mappings of Africa inscribed its territories with European symbols, value systems and signifiers. Geographers and travel writers, in particular, had a fundamental role in creating not only the physical but also the mental space for colonization. They enacted the transformation of East Africa from the dangerous and unmapped setting of the heroic acts of individual explorers to the stage for a collective colonial effort. In their footsteps there followed the discourse of tourism and the tourist industry, which was meant to integrate the image of the colonies with that of the peninsula.     

‘Immigrant games’: sports as a metaphor for social encounter in contemporary Irish drama

This paper explores the use of sport and sports matches in recent Irish plays that feature migrants. Sport and sports matches are recurring tropes in films, prose and theatre works that feature migration to and from Ireland. A form of popular culture and ‘one of the most pervasive social institutions in our society’, sport acts as a catalyst for social encounter and at the same time it can reflect subtle forms of social discrimination. It allows both for inclusion and exclusion of the other: it can be ‘a site for racial tension’ and it can ‘provide the opportunity to exercise a right that does not have to be officially granted by bureaucracies or public administrations and can be engaged in relatively freely’. Through sports, migrants can acquire ‘an opportunity for self-determination and control that may well be lacking in other areas of their lives’, hence the recurrence of sports on the Irish stage.     

Description,appropriation, transformation: Fascist rhetoric and colonial nature

During the period of Fascism, a variety of discourses and representations were attached to colonial landscapes and to their uses. African nature was the subject of diverse rhetorical strategies, which ranged from the persistence of visions of wilderness as the locus of adventure to the domesticating manipulations of an incipient tourist industry aiming to familiarise the Italian public with relatively tame forms of the exotic. Contrasting images of bareness and productivity, primitivism and modernisation, resistance to change and dramatic transformation found their way into accounts of colonial territories ranging from scientific and pseudo-scientific reports to children's literature, from guidebooks to travel accounts, all of which were sustained not just by written texts but also by iconographic representations. This article will look at the specific example of accounts of Italian Somalia in order to explore Fascist discourses regarding colonial nature and its appropriation. Documents examined will include early guidebooks to the colonies, a small selection of travel accounts aimed at the general public, as well as the works of a number of geographers and geologists who were among the most active polygraphs of the period, and whose writings addressed a wide range of Italian readers.