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Models of masculinity: sex education,the United States Public Health Service,and the YMCA, 1919-1924
Lord AM 《Journal of the history of medicine and allied sciences》2003,58(2):123-152
In 1918, the U.S. Public Health Service (PHS) told American parents that "it is no longer possible for you to choose whether your child will learn about sex or not." According to the PHS, most American boys learned about sex from "improper sources" by the age of nine. The "unfortunate effect of these early impressions" had, PHS warned, not only resulted in a gross misunderstanding of sex, but also been a major factor in the spread of venereal disease (The Parents' Part [the U.S. Public Health Service, 1918], p. 5). To counter and correct this miseducation, PHS joined with the Young Men's Christian Association (YMCA) to create a sex education program aimed at adolescent boys. Officially launched in the spring of 1919, the "Keeping Fit" campaign provides a unique insight into the federal government's attempt to medicalize and regulate American sexuality through the forum of public health. 相似文献
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AbstractThis article examines contemporary patterns of Chinese infrastructure development in Nepal’s Rasuwa District and the ways in which Nepali actors engage with Chinese investments to advance projects of state formation. Particularly in the wake of political volatility and natural disaster, Chinese interventions support the material and imaginative projects of a Nepalese state seeking stability, security, and economic growth. Long perceived as peripheral to the state center, Rasuwa is rapidly becoming central to Sino-Nepal relations, particularly in the context of bilateral investments in hydropower and transportation infrastructure. Drawing on data generated from 30 months of fieldwork in Nepal, we argue that Chinese development in Rasuwa: a) undergirds territorializing practices of the Nepalese state; b) represents a “gift of development” that connects Nepali ambitions of bikas (development) with Chinese anxieties over exile Tibetan populations; and c) reflects a strategic reorientation of geopolitical alliances between Nepal, China, and India. Challenging studies that depict Chinese development as an overwhelming extractive force, we instead show how small states like Nepal in fact use Chinese interventions to advance domestic projects of state formation and national security at home. On the basis of this study, we expand understandings about the place and priority of infrastructure in national state-making agendas, illustrate uneven local experiences with international development interventions, and highlight new configurations of Chinese investment and development abroad – characterized in Nepal as a “handshake across the Himalayas.” 相似文献
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K. G. Lord Warden 《英国考古学会志》2013,166(1):96-97
AbstractThis paper takes as its starting point the relatively unusual form taken by Lincoln's gatehouse-cum-guildhall, which was rebuilt in 1520. It is argued that the Stonebow's elevation bears a superficial similarity to the contemporary royal palace at the Field of the Cloth of Gold. The local political background may suggest that the two buildings are, indeed, connected — through the city council's efforts to renegotiate the terms of their fee-farm with their feudal lords. The new building, and its simple Annunciation iconography, were intended to be understood at several levels of symbolic meaning, all of which referred to the city's relationship with its various lords. Consequently, the Stonebow's simplicity is deceptive; it is, in fact, a multi-faceted political statement, summing up the city's own view of its place in contemporary politics and, as such, it is a good example of the complexity sometimes achieved in early Renaissance architectural iconography. 相似文献
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Lord Raglan 《Folklore》2013,124(4):331-342
The early modern history of the festivities associated with Hallowe’en and St Valentine’s Day reveals a significant overlap in early forms of celebration and customary practices. In the eighteenth century, however, each day developed its own distinctive traditional identity. This article argues that this was a result of mass print culture and the spread of literature: primarily in popular verses, the poetry of Robert Burns, and the influence of William Shakespeare. 相似文献
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Successive attempts to reform planning practice in England have given rise to an impression that planning is “under attack”. Various academic commentaries have performed the valuable service of cataloguing aspects of this reform agenda, often within the context of the analytical framework offered by neoliberalization. In this paper, we seek to chronicle the cumulative effects of the sustained programme of neoliberalization to which urban and environmental planning has been subjected in England over a period spanning approximately the last 15 years. In doing so, we hope to show why planning has been such an intractable issue for all governments that have sought its reform irrespective of the particularities of their political agenda. 相似文献
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Lord Lytton 《英国考古学会志》2013,166(1):90-91
A round-headed window in the cathedral close at Winchester, drawn by John Aubrey on or before March 1669 for his Chronologia architectonica, may belong to a hitherto unidentified structure shown by John Speed on his Map of Winchester of 1611. The location suggests that this structure and hence the window may have been part of the royal palace built in the centre of Winchester by William the Conqueror by about 1069–70, said by Gerald the Welshman, writing about 1198, to have been second to the palace in London ‘in neither quality nor scale’ 相似文献
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Lord Albert Conyngham 《英国考古学会志》2013,166(1):92-95
AbstractTwo Roman polychrome mosaics, depicting Europa and Orpheus, are preserved in their original settings in a town house of Roman Sparta. Discovered last century, they have been inventoried, but not studied in detail. Probably both were produced by the same local workshop in the third to fourth century, sharing characteristics peculiar to Greek mosaic. They appear to mirror each other. The depiction of Europa near Orpheus occurs rarely in the classical repertory. This collaborative research defines the pictorial originality of each mosaic. Europa, an archaic image, reflects the iconography of the Nereids. Orpheus may have copied a lost painting. The choice of motif and possible symbolic readings are examined. Perhaps the tenets of Orphic thought pervaded the images. Such a combination might bear witness to tastes and attitudes in Greece during the late Roman period. 相似文献