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This article explores the relationship between unmappable lesbian space, the Xenaverse, which is a complex discursive space generated out of the syndicated television show Xena: Warrior Princess, and the national space of Aotearoa New Zealand. The article argues that the Xenaverse is an imaginary space which is also a lesbian space and that it is partially pulled into material national space by its links to Aotearoa New Zealand. It is therefore an excellent example of the complex and recursive process of lesbian place making. The role of distance as a significant factor for dominant national discourses, the Xenaverse, and lesbian possibility is discussed to partially account for the materialisation of the Xenaverse in Aotearoa New Zealand. The article suggests that unmappable lesbian spaces such as the Xenaverse can be examined using three analytic filters: ephemeral space; queered lesbian space; and neo-colonial processes.  相似文献   
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Many versions of the history of Americanist archaeology suggest there was a stratigraphic revolution during the second decade of the twentieth century—the implication being that prior to about 1915 most archaeologists did not excavate stratigraphically. However, articles and reports published during the late nineteenth century and first decade of the twentieth century indicate clearly that many Americanists in fact did excavate stratigraphically. What they did not do was attempt to measure the passage of time and hence culture change. The real revolution in Americanist archaeology comprised an analytical shift from studying synchronic variation to tracking changes in frequencies of artifact types or styles—a shift pioneered by A. V. Kidder, A. L. Kroeber, Nels C. Nelson, and Leslie Spier. The temporal implications of the analytical techniques they developed—frequency seriation and percentage stratigraphy—were initially confirmed by stratigraphic excavation. Within a few decades, however, most archaeologists had begun using stratigraphic excavation as a creational strategy—that is, as a strategy aimed at recovering superposed sets of artifacts that were viewed as representing occupations and distinct cultures. The myth that there was a stratigraphic revolution was initiated in the writings of the innovators of frequency seriation and percentage stratigraphy.  相似文献   
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Introduction     
Liz Bondi  Nina Laurie 《对极》2005,37(3):393-401
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The number of computerised tomography (CT) investigations of mummies has increased since the first published study in 1979. However, this approach has never been validated. We present a critical analysis of the literature (1979 to 2005). Relevant articles were selected via a MedLine search and analysed according to CT technique, methodology, and author's speciality. Thirty‐one original articles matched our selection criteria. Of these studies, 42% were authored by radiologists, while 26% had no contribution from radiologists. Hypothesis‐driven papers comprised only 9.7% of the total. While 84% of the studies had a stated purpose for conducting the CT study, only 67% of studies defined their CT protocol clearly. CT was used to study mummification techniques in 74% of instances, and/or to detect disease in 58%. Conclusions based on CT analysis were derived in 84% of studies, but only 32% of these answered specific questions. Furthermore, only 36% of these conclusions were related to the stated purpose of the study. Using the criteria of the grading system we developed, we found that 61% of studies were supported only by weak evidence. We conclude that evidence‐based research with better design should be encouraged in future palaeoradiological studies. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   
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