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Barbara Lebrun 《Modern & Contemporary France》2013,21(4):435-447
This article explores the cultural assumptions expressed in the self-proclaimed ‘alternative’ and ‘protest’ sector of French popular music, and how these become problematic when leading a charity concert. Liberté de circulation (1999) is a small-scale concert set up for the benefit of the Groupe d'Information et de Soutien des Travailleurs Immigrés (GISTI) in support of illegal immigrants, and its participants (artists and organisers) have a confused relationship with contestation and media exposure. While they convincingly wrap their pro-migration discourse in notions of solidarity and universality, they often confine themselves in artistic and production terms to a certain marginality, which fails the objective of raising funds and public awareness for the charity targeted. Drawing on a comparison between Liberté de Circulation and Les Enfoirés, a high-profile, televised charity show supporting the destitute, the article observes the problematic articulation of charity to political commitment and, in so doing, contributes to debate about the formation of cultural identities around the concept of ‘resistance’ in contemporary France. This discussion follows the pluridisciplinary method of popular music studies and includes an analysis of song lyrics, orchestration, artists' declarations in interviews and the media reception of charity concerts. 相似文献
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Schmid Viola C. Douze Katja Tribolo Chantal Martinez Maria Lorenzo Rasse Michel Lespez Laurent Lebrun Brice Hrisson David Ndiaye Matar Huysecom Eric 《African Archaeological Review》2022,39(1):1-33
African Archaeological Review - Over the past decade, the increasing wealth of new archaeological data on the Middle Stone Age (MSA) in Senegal and Mali has broadened our understanding of... 相似文献
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