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As a history of the origins and development of American racism, White over Black received great acclaim upon its publication in 1968. Deeply researched and covering some 650 pages, it eschewed professional jargon and offered a deft prose style and close attention to matters of sexuality in revealing the origins and lasting influence of racist attitudes arising from Englishmen's impressions of blacks before they became, preeminently, slaves in North America. Jordan's careful weighing of evidence and causation made readers appreciate what he believed his evidence repeatedly demonstrated about white Americans’ attitudes toward African‐Americans: “the power of irrationality in men.” Despite the initial acclaim and scholarly achievement, White over Black soon lost pace with the curve of politics and academic fashion. By the mid‐1970s, the post‐World War II liberal consensus on racial issues had disintegrated, and professional historians were writing principally for other professional historians. Within a decade after its publication, White over Black was relegated to the wasteland of the “suggested supplemental reading list.” However, the book's grasp of the fundamental historical issues requiring explanation has received recent affirmation from influential scholarly and political quarters. A dispassionate review of the literature leading up to and following White over Black's publication indicates that Jordan's emphasis on the causal contribution of racist attitudes to the rise of African slavery in British North America was on target. Moreover, Jordan's appreciation that academic historians should write for nonprofessionals is now widely held inside the academy. The historical accuracy and cogency of expression of Jordan's perspective on race and slavery make White over Black worth reexamining.  相似文献   
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The paper reports a case study of factors attracting and retaining talented and creative workers in Halifax, Nova Scotia. All categories of workers interviewed mentioned quality of place and amenities in discussing their location preferences, but that could not fully explain their choices. For some occupations (like health research), talented people followed jobs; in other sectors (like music), talented workers migrated to a sympathetic locale with the right conditions for creative engagement; creative workers in some occupations (like those in architectural, engineering or planning consulting) were more rooted in place. The social dynamics—that is, positive and collaborative social networks within key sectors and a wider community perceived as welcoming and interesting—make this mid‐sized city attractive to talented workers. Local universities and a vibrant music scene generate a mutually reinforcing context that attracted mobile talented and creative workers to the city. Respondents noted Halifax's limited cultural diversity but did not report a perceived lack of tolerance as affecting their choices. In smaller cities, the social dynamics of place and workplace and the quality of life available may play more significant roles than tolerance in attracting and retaining talented workers, challenging a basic assumption of creative cities discourse.  相似文献   
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Un conte de deux scènes: le capital civique et le maintien des talents musicaux à Toronto et à Halifax Même si depuis plusieurs décennies Toronto trône au sommet de l’industrie canadienne de la musique, des entretiens récents font apparaître le poids de la restructuration de cette industrie sur les décisions des musiciens quant à l’endroit où vivre et travailler. En cette époque de production indépendante de musique contemporaine, certaines régions urbaines de taille réduite comme Halifax en Nouvelle‐Écosse recèlent un potentiel pour attirer des musiciens. La principale question abordée dans cet article est de savoir dans quelle mesure les dynamiques économique et sociale des régions urbaines ont une incidence sur les choix de localisation des musiciens. Ces derniers sont bien conscients des possibilités économiques qu’une ville de la taille de Toronto peut leur offrir, mais les artisans de la scène musicale la dépeignent comme un milieu de travail extrêmement compétitif et ardu. En revanche, du côté d’Halifax, les répondants évoquent la solidarité et le soutien apportés par la collectivité dans l’accueil des nouveaux arrivants, l’appui à l’organisation de spectacles, et la promotion de la créativité. Dans un tel contexte contemporain, les musiciens indépendants déploient de nouvelles stratégies de valorisation de leur métier et les collectivités qui sont dotées d’un capital civique supérieur sont plus en mesure d’attirer et de retenir les personnes talentueuses.  相似文献   
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Given Australia's dispersed population distribution the construction and maintenance of transportation infrastructure is both essential and expensive. This paper presents a simple model for assessing geotechnical suitability for road construction across the continent, based upon the three major phases of road construction: earthworks, pavement construction and sealing. Data from the recently completed geotechnical landscape map of Australia have been used to operationalise the model at a national scale. The map was coded to the basic spatial units (modified local government areas) of the Australian Resources Information System, so forming an extensive geographic data base suited to a variety of national transport suitability assessments. As a demonstration, the road construction suitability model and the geotechnical data have been applied to the task of mapping the average suitability of each basic spatal unit in Australia for each of the three phases of road construction. The resulting maps provide a comprehensive overview of the instrinsic difficulty of providing roading throughout Australia.  相似文献   
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Abstract

In seventeenth-century cheap print on supernatural themes, the reader is often struck by gaps, silences, and things that do not quite add up. The article explores ways of reading between the lines to expose and perhaps make sense of these discontinuities. It asks what cultural work is performed by the supernatural in such texts, and speculates on the uses served by ghosts, fairies and demons both in the self-representation of subaltern, often female, individuals and in the textual strategies of the pamphlet writers.  相似文献   
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While most Australians are conscious of the amount of waste that they place in garbage bins, relatively few would be aware of the waste that is generated in the course of producing the goods and services that they consume. This ‘embodied waste’ makes up a large part of the ‘ecological rucksack’ of those goods and services. This study develops a waste account for Queensland, using the ecological rucksack framework to illustrate patterns of waste production in the Australian economy. It classifies wastes both by type and broad sector of production. The study finds that the Queensland economy generated more than four billion tonnes of waste during the 2006–2007 financial year. The largest waste streams are produced at the resource extraction and distribution stages, and are predominantly materials that are disposed of without being used or are lost through inefficient use. The majority of the waste is produced upstream of the point of consumption and a large part is associated with materials produced for export.  相似文献   
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Joseph Masco suggests that nuclear weapons have become the icon of American technological superiority in the post-World War II era, and that their manufacture has transformed our worldview. Insofar as this is true, the production, testing, and use of such weapons has exposed the United States of America's experiment in freedom and equality to some of its most brilliant and most tarnished moments. The five volumes considered in this review explore some of the reflections from that patina and uncover many layers of tarnish that accompanied the transformation of the United States into a nuclear super-power.  相似文献   
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The Civil War was America’s defining conflict, the war that made the nation and the fulcrum for the development of American national identity in the later nineteenth and early twentieth centuries. Yet the role that the Civil War dead played in this process has only begun to be explored. Although the monuments raised to honor the dead, along with the battlefields on which they fought, attract considerable interest, the cemeteries constructed to inter them have been integrated into the landscape – literal and figurative – of the American nation so fully that the need they answered, the manner of their development, the form they took, and their longer‐term symbolic message has been relatively neglected. Yet the Civil War dead were a crucial – indeed, the crucial – component in the construction of American national identity. Although scholars interpret American attitudes toward the Civil War dead within the context of the mourning rituals of the antebellum era, the war required, and produced, a different approach to death, for which antebellum precedent had ill‐prepared Americans. Removed from its antebellum religious and societal framework, death in the Civil War acquired a new and more potent national meaning that not only validated American nationalism through warfare, but anticipated the response to fallen soldiers in future European conflicts.  相似文献   
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