Heterodoxe lehren und ihre widerlegung im Kālacakra-tantra

Summary At the end of the second chapter of the Buddhist Klacakra-Tantra (dated c. 10th century) we find a group of verses in which several doctrines are characterized and criticized: Brahmanism, Vaisnavism, aivism, materialism, Islam and Jainism. Moreover the text refers to Buddhism itself as well as the so-called heterodox Buddhist schools. It is the only old Sanskrit text known until now in which the Islam is mentioned and recognized as a doctrine.     

Modelling Resource Values and Climate Change Impacts to Set Preservation and Research Priorities

ABSTRACT

Climate change impacts will increase in their frequency and severity in the coming decades, resulting in compromised integrity or destruction of thousands of heritage resources. Efforts are needed to identify, record, and study resources that will be affected. To set research and preservation priorities, the vulnerability of resources to climate change impacts and their importance to scientific research, preservation, and other resource values needs to be understood. We advocate a modelling approach which predicts the location, timing, and severity of climate change impacts; identifies resources at risk, their resource values, and opportunity costs; and prioritises research and preservation options based on these assessments. The need for this approach is illustrated with examples from two coastal areas subject to different impacts and hosting different types of heritage resources: the Atlantic coast of Georgia in the United States and the Wismar Bight along the Baltic Sea in northern Germany.     

Space,time and history in the Polish People’s Republic: the trilogy Sami swoi,Nie ma mocnych,Kochaj albo rzuć

Abstract

The article discusses the meanings of popular culture, authenticity and history in People’s Republic of Poland. As an example it uses a popular film trilogy. The trilogy Sami swoi, Nie ma mocnych and Kochaj albo rzu? (‘All friends here’, ‘Take it easy’ and ‘Love or leave me’) was shown in Polish cinemas between 1967 and 1977. The reviews were written just after the premières. The article uses the concepts of time and space elaborated by Mikhail Bakhtin and Doreen Massey to analyze the different chronotopes of the films. It analyses both the films and the reviews as strategies of creating authenticity and creating cultural meanings: the meaning of history and the meanings of rurality. I will show how history and present, memory and society are interwoven in the light of popular production. In addition, I will emphasize the diverse interpretation possibilities resulting from this micro-historical view and the transnational critique of modernism highlighting the small and local which emerged throughout Europe in the 1970s.