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Just before WWII, the British government prepared for an aerial onslaught that was predicted to raze cities and cause mass casualties. By 1938, the Air Raid Precautions Act officially stated that population protection would be through dispersal, meaning evacuation and small-scale protection, local authority responsibility often devolving to householders. Archaeological records of remaining air-raid shelters are relatively rare and under threat. This paper reports on geophysical surveys on three sites in Stoke-on-Trent and London. Results found three intact Stanton shelters in Stoke-on-Trent, located by GPR, electrical resistivity, magnetometry, gravity and electromagnetic methods. In London, partially demolished shelters and an intact, mass public shelter were both detected by EM and GPR methods, with subsequent intrusive investigations confirming results. Study outcomes show hitherto-neglected wartime shelters are in varied condition, with geophysical surveys able to detect, characterise and assess them, helping bring WWII British history into the wider scientific community and public domain.  相似文献   
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This article explores the role of historiography in the developing identity of congregationally autonomous churches by examining the process and meaning behind the historical myth‐making associated with pioneering church leadership. In the absence of a clerical hierarchy or recognised historical expertise, four competing claims for the title of “first evangelist” emerged in the Churches of Christ (Disciples of Christ) denomination in colonial Victoria. Each of these claims is critically analysed in the light of rapidly developing church identity, the work of the evangelists in the 1860s, the influence of Australian nationalism, and historiographical portrayals which sought to make these four men heroes even in their absence. Finally the article examines absence of another kind — historiographical omission — and the question of the heroic in denominational church history.  相似文献   
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Honey from the giant Asian honey bee (Apis dorsata) has been harvested by communities throughout Southeast Asia for centuries. In Indonesia, 80 per cent of the national supply of honey comes from Sumbawa; however, there is limited information regarding the sustainability and importance of honey hunting in supporting rural livelihoods. This study used semi‐structured interviews and questionnaires to examine honey hunting and forest honey production in Sumbawa. It evaluates the economic and cultural importance, opportunities, and constraints of honey hunting and prompts us to suggest that income generation from honey plays a critical role in supporting rural communities. Of respondents, 83 per cent reported that income from honey was essential and accounts for 68 per cent of cash income. Yet honey hunters were harvesting using destructive methods under dangerous conditions and are subject to unpredictable market prices and fluctuating yields. Unlike situations in other areas of Indonesia, no system of customary law was found to exist that defines ownership of honey trees and the right to harvest from them. Limited access to market information, high moisture content of honey, and limited training and extension services were identified as key constraints. Future research exploring the sustainability of harvesting practices and mechanisms for improving profitability of honey hunters would be valuable.  相似文献   
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ABSTRACT

Across management, marketing, public administration and museology literature, coproduction has been presented as an innovative approach to service improvement. This case study of the Australian museum sector contributes to the instrumentalisation debate, by revealing the potential inhibitors to such improvements when coproduction distracts rather than enhances the work of cultural institutions. While public value requires the strategic cultural manager to negotiate between ‘upstream audiences’ (government and funding bodies) and ‘downstream audiences’ (users and the body politic), these two groups appear to exert different levels of influence. This research suggests that upstream audiences currently absorb the attention of museums. As a result, the manner in which museums coproduce, and the motivations for this work, appear to be geared towards advocating the public value of museums to government and funding bodies. This case study suggests that museums sacrifice the service innovations and exhibition enhancements offered by coproduction (intrinsic outcomes) to pursue government funding and support (instrumental outcomes).  相似文献   
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