Palynological and Archaeological Evidence for Ritual Use of Wine in the Kura-Araxes Period at Aradetis Orgora (Georgia,Caucasus)

Pollen and non-pollen palynomorphs from two zoomorphic Kura-Araxes vessels (ca. 3000 b.c.) from Aradetis Orgora suggest they were utilized for the ritual consumption of wine and likely represent the beginning of the enduring tradition of animal-shaped wine-drinking containers in Georgia. This hypothesis is supported by archaeological and geoarchaeological data: they resemble later wine-containing vessels from Georgia and elsewhere and were found in a building whose context is suggestive of a small shrine. Their palynological spectra match those of present-day wine and wine containers of other periods. One of them was intact, with only a small access hole; consequently, its palynological spectrum can be utilized as a standard for determining the presence of wine in other archaeological vessels. Palynological analyses from different contexts of the Aradetis Orgora settlement and its cemetery (Doghlauri) yielded other significant results regarding the practice of viticulture and the cultural relevance of wine during the Kura-Araxes period.     

Memories of Music in Political Detention in Chile Under Pinochet

Music was commonly present in political detention centres during General Augusto Pinochet’s dictatorship (1973–1990), and has had important roles in post-dictatorship commemorations. However, music has received limited attention in cultural studies discussions of the Pinochet regime. This article examines a selection of memories of musical experiences of three former political prisoners, elicited through personal interviews. After contextualising the topic and discussing methodology, I present and discuss recollections of experiences in direct relation to torture and other cruel, inhuman and degrading treatment. By looking closely at the relationships between the musical experiences, genres and pieces remembered by the interviewees, a number of commonalities have emerged. However, I argue that these testimonies should be viewed in their uniqueness and specificity, and that the findings of this article are not necessarily representative of the experiences lived by the tens of thousands who went through political detention under Pinochet. This article also considers some of the ethical issues around work on human rights violations, and calls for recognition of the importance of archival and documentary work in relation to social and communal memory.     

The ‘indomitable’ Pignatellis

The fall of Fascism generates contrasting feeling in Italy, now liberated by the Allied troops. In this new scenario, the search for new forms of democratic gathering coexists with its opposite: the aim to recreate an experience now historically ended (the Fascist regime). Indeed, many southern Italians still believe in Fascism and, despite Mussolini's execution in Piazzale Loreto, they kindle the hope of a new Fascist era. Arguably, they see the death of Mussolini as an opportunity to refashion the Fascist ideology, by returning to the myths of its origins. They envision a new form of Fascism, free from political contamination and compromise, and a new regime able to realize the programmes that the old regime has failed to realize. Maria and Valerio Pignatelli represent the dream of a Fascist revival, characterized by innovative and original characters. They find many supporters in the southern regions, especially in Calabria, reversing the stereotype of an ‘apolitical’ and passive south. Therefore, the aim of this article is to reconstruct the Fascist revival in post-war southern Italy through the history of its main exponents.     

Organized waste disposal in the Pottery Neolithic: A bifacial workshop refuse pit at Ein Zippori,Israel

A unique Pottery Neolithic context corresponding to the Wadi Rabah culture was found at the multi-layered site of Ein Zippori, Israel. Given the significant amount of flakes, cortical flakes, thinning flakes, and bifacial tool rejects, it was classified as a refuse pit in which bifacial knapping waste from a nearby workshop was disposed. In this paper we present the assemblage of Locus 8071, focusing on the by-products of bifacial tool manufacture and maintenance as well as bifacial tool rejects. We reconstruct the bifacial knapping and maintenance procedures and suggest that Locus 8071 was a disposal area for by-products from a knapping workshop of bifacial tools—an aspect of spatial organization related to possible specialized lithic production at Ein Zippori during the Neolithic period.