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Kate Hill 《Gender & history》2021,33(2):448-469
This article examines the background, careers and self-presentation of the first generation of British museum curators in local government-funded provincial museums, c.1900, to explore the issue of masculinity among the lower-middle classes. It argues that while such men were sometimes mocked for the lack of masculinity they showed in their domestic lives, a focus on their professional lives reveals a different set of problems facing them as they attempted to be manly men; curatorial roles, like others available to the lower-middle classes, involved a dependence on local elites, and required many of the skills and attributes which were being colonised by new women professionals. The study then examines the tactics used, with some success, by such men to assert a professional masculinity, focusing on their identification with their museum, their development of a professional body and their investment in manly physical activities. 相似文献
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In the concluding episode of the Third Branch of the Mabinogi, the Welsh nobleman Manawydan takes the (pregnant) mouse that he has captured to the magically significant site Gorsedd Arberth and prepares to hang her for theft, according to the law. As he prepares the gallows, various figures attempt to intervene until finally a ‘bishop’ redeems his transformed wife by disenchanting the land, freeing Manawydan’s companions, and swearing not to take vengeance. We argue that this scene is strikingly similar to the famous ballad widely attested all over Europe, ‘The Maid Freed from the Gallows’, a parallel which not only illuminates this episode in the Mabinogi, but also suggests how the Welsh storyteller used traditional material in shaping these narratives. 相似文献
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Mark A. Hill Mark F. Seeman Kevin C. Nolan Laure Dussubieux 《Archaeological and Anthropological Sciences》2018,10(5):1193-1205
In prehistoric North America, artifacts of copper occupy a position of prominence in the Hopewell societies of Ohio’s Scioto Valley. These artifacts also represent the social contacts and long-distance interactions that brought copper to the Scioto Valley. Yet, our understanding of Hopewell copper acquisition, and the movement of copper artifacts within the social networks of the Scioto Valley and beyond, has been limited due to the limited availability of geochemical data concerning provenance and variability. We begin to develop the foundation for understanding these important social issues by analyzing the elemental variability of Hopewell copper through the use of laser ablation inductively coupled plasma mass spectrometry. We analyze 24 samples from four known copper source regions and 52 samples from 6 prominent sites in the Scioto Valley. Results suggest that a majority of the artifacts are consistent with sources in the Great Lakes, with a plurality classified as Isle Royale. However, 21% of Scioto Hopewell copper artifacts were most consistent with southern Appalachian sources. High elemental variability argues against simple models of copper acquisition and suggests that different social groups had access to a variety of copper sources through varying social networks. Native copper regardless of source seems to have been channeled along similar social and symbolic pathways. Our results suggest that instead of being derived from the struggle to access a specific source, value is derived from the social relationships represented by the copper and the connotation of exotic connection embodied in both style and material. 相似文献
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Dee Dee Joyce 《Irish Studies Review》2015,23(2):166-175
On the eve of the American Civil War, the Irish who had immigrated to the United States as a result of the Great Famine were in the process of constructing an Irish working-class identity in Charleston, South Carolina. A “legacy” for such construction had been created in the previous century: those who had come from Ireland then had used public displays of celebration and concomitant rhetorical devices to create the impression that they were willing and eager to assimilate. Their rituals at banquets and other public occasions “set the stage”, so to speak, for the next century's generation of immigrant Irish who also found it necessary to articulate publicly their claim to an ethnic American identity. Theatrical venues and staged performances served the Famine Irish well in this endeavour. 相似文献